“My father’s life intersected with a century of conflict, horror and invention. He deciphered these histories for me, making me his scribe in a new century. My successes were his successes, and his stories thrum in every word I write. He taught me to see like a writer, to be attentive to the stories that spring up everywhere … It’s an attentiveness to the world, to ordinary suffering, to the love that persists in its midst. My sense of the world, of history and humanity flows from this awareness — and the attendant grim humor — my father used as his guiding lamp in the darkness cast by racism and poverty.” Over at The New York Times, Walter Mosley recalls the lessons taught to him by his father, Leroy.
As part of a collaboration with several international magazines, Full-Stop is publishing Babelsprech International, a series of articles on poetry around the world. In the latest edition, Karel Piorecký writes about contemporary Czech poetry, drawing a line between the pre- and post-Communist periods. Related: John Yargo on the Czech writer Bohumil Hrabal.
In his look ahead to interesting books coming out in 2011, Scott Esposito includes the book I co-edited, The Late American Novel: Writers on the Future of Books, which features pieces by Jonathan Lethem, Rivka Galchen, Benjamin Kunkel, and several other great writers and is due out in March.
Zoë Heller’s takedown of Salman Rushdie in the NYRB may yet ruffle some feathers, but for now it’s nabbed the top spot on New York Magazine’s approval matrix.
Here's the perfect example of something you didn’t even know you wanted: Gary Oldman doing a dramatic reading from R. Kelly’s memoir, Soulacoaster: The Diary of Me. This performance will surely join the pantheon of great pop culture readings alongside Christopher Walken’s reading of Lady Gaga’s “Pokerface” and John Lithgow’s reading of Newt Gingrich’s “florid” and “overwritten” press release.