“In my adolescence people spoke of ‘café intellectuals,’ not with the respect due to a sect that transmits ideas within the cramped space of a table but with the contempt reserved for those who turn their backs on reality and take refuge in vain speculation.” Juan Villoro on the writing life in Mexico City’s cafés as part of the “Writing Life Around the World” series for Electric Literature.
The Guardian interviews Year in Reading alumna Ottessa Moshfegh about her writing life, noir fiction, and her novel Eileen. As she puts it, “I’m interested in taking establishment genre and turning it on its head. I didn’t really set out to write a noir novel and I don’t know if I exactly have.”
The long-awaited follow-up to Yann Martel's Booker-winner Life of Pi is out: Beatrice and Virgil. Also new, Elegy for April, a thriller by John Banville alter ego Benjamin Black; David Lipsky's already much discussed interview with David Foster Wallace, Although Of Course You End Up Becoming Yourself; and, apparently hitting shelves ahead of its official release date, a book of philosophy by Marilynne Robinson, Absence of Mind.
Laila Lalami recently wrote about "How History Becomes Story," but writing an interesting and compelling history book sans fiction has its own challenges. Thankfully S.C. Gwynne offers some tips in a piece for the History News Network, including the hard-hitting reminder that "it is your job to force your facts into narrative form."