Must female characters always stand in the shadow of the institution of marriage? Ivan Kreilkamp writes on female bachelors, from Renata Adler’s Speedboat to Elizabeth Hardwick’s Sleepless Nights. Pair with this Millions essay on Adler’s piecemeal novel.
Elie Wiesel -- Auschwitz survivor, Nobel Laureate, political activist, and author of Night -- passed away yesterday at the age of 87. Here's a quote that perfectly captures Wiesel's essence, from his Nobel Prize acceptance speech: "I swore never to be silent whenever and wherever human beings endure suffering and humiliation. We must always take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented. Sometimes we must interfere. When human lives are endangered, when human dignity is in jeopardy, national borders and sensitivities become irrelevant. Wherever men or women are persecuted because of their race, religion, or political views, that place must – at that moment – become the center of the universe."
Tom Stoppard, recently tasked with writing the screenplays for the new Anna Karenina (six minutes of which can be watched here) and Parade’s End film and television adaptations, speaks at length with Victoria Glendinning about his life and work. At 75 years old, the playwright is hardly slowing down.
Pankaj Mishra caught up with Orhan Pamuk in the midst of Turkey’s Gezi Park turmoil, and though the Nobel laureate was at first “reluctant to speak of the protests,” he occasionally let down his guard. In those instances, writes Mishra, Pamuk “revealed a shrewd political mind and a confidence about the new social consciousness the demonstrators represent.”