What’s the best book Mary Roach has read recently? Tim Johnston’s first novel, Descent: “I read the last 30 pages in an airport, 10 feet from the gate, and did not notice the boarding announcements. I missed my flight for literature.” Bonus: Here’s Roach’s interview with The Millions from a couple of years back.
“The night of the typhoon, the sky was full, the world destroyed.” Eleanor Goodman is one of 13 translators who won the PEN/Heim Translation Fund this year. Goodman won for her translation of Chinese poet Wang Xiaoni’s collection, Something Crosses My Mind, which will be published by Zephyr Press.
In the Winter 2013 issue of The Paris Review, Kevin Prufer published a poem, “How He Loved Them,” that tackled the aftermath of a car bomb explosion outside of a courthouse. On the magazine’s blog, Robyn Creswell interviews Prufer, who laments that “somehow, when we enter the territory of politics, we expect our poems to shill for votes, to argue strongly for particular beliefs.” (He also has a new book out.)
Out this week: Made for Love by Alissa Nutting; The Reason You’re Alive by Matthew Quick; The Graybar Hotel by Curtis Dawkins; The Tower of the Antilles by Achy Obejas; Out in the Open by Jesús Carrasco; and Who Is Rich? by Matthew Klam. For more on these and other new titles, go read our most recent book preview.
“I’ve learned that people—writers and non-writers alike—don’t like that word. Failure…. I take a bizarre pleasure, now, in using that word. Maybe because during my decade as a failed writer, the one thing that took the edge off was wallowing in that failure—carefully, in a proscribed fashion, like having a drink when you’re still hungover.” Stephanie Feldman writes for Vol. 1 Brooklyn about being a literary failure, about the two books she wrote and never published, and about the one she finally did. Pair with the stories of these 5 writers and their failed “novels in drawers.”
Twenty U.S. publishers have teamed up with Netherlands-based platform Blendle to launch a beta version of the app in the U.S., which allows users to purchase individual articles instead of subscriptions to magazines and newspapers. Many are questioning what the future of journalism may hold in light of this new user model. If you’re wondering about the future of the book, check out our column on it.