There’s a new literary magazine on the digital shelves. The Neu Jorker is “an hommage d’triomphe” to a magazine with an eerily similar name.
“This is worth repeating to yourself every day as you sit down at your keyboard: You must write to the end of the story. You must make progress toward that end today. A sentence, a paragraph, a chapter. You must push the story forward, forward, forward. Don’t stop until you get to the end.” Hugh Howey on the Amazon Author Insights blog about how to write a rough draft. Pair with a popular and wonderfully motivating piece by Nick Ripatrazone, “Don’t Worry. Don’t Wait. Write.”
Yesterday we noted that The Pale King is now available for pre-order. It turns out another new David Foster Wallace book will be out before the long-awaited final novel hits shelves. In December, Columbia University Press will put out Wallace’s undergrad thesis Fate, Time, and Language: An Essay on Free Will. From the publisher description: “Long before he probed the workings of time, human choice, and human frailty in Infinite Jest, David Foster Wallace wrote a brilliant philosophical critique of Richard Taylor’s argument for fatalism. In 1962, Taylor used six commonly accepted presuppositions to imply that humans have no control over the future. Not only did Wallace take issue with Taylor’s method, which, according to him, scrambled the relations of logic, language, and the physical world, but he also called out a semantic trick at the heart of Taylor’s argument.”
Over at The Paris Review, Hannah Tennant-Moore defends the merits of disturbing literature. We are fascinated with the disturbing, because, as Tennant-Moore asserts, “wonder, disgust: both feelings are true.” Here’s a bonus piece on A.M. Homes‘ darkly comic May We Be Forgiven and on comforting the disturbed — or is it disturbing the comforted?
“I lost the first good novel I ever wrote to a computer disaster. It happened at a crucial time in my life. I was working nights, living in a mouse-infested tenement in Giuliani-era Harlem and still figuring out if I could even do this thing — become a writer for real.” Mat Johnson on NPR’s All Tech Considered blog about the ultimate authorial nightmare, and how he recovered from it. Pair with our review of Johnson’s latest novel, Loving Day.
“Let me be frank,” writes our own Edan Lepucki for the opening round of this year’s Tournament of Books. “I went into this matchup excited to read The Round House, whereas I approached The Fault in Our Stars with curiosity and trepidation.” But did she wind up pleasantly surprised? Check out the rest of her write-up to see which tearjerker moved on to the next round. (Bonus: Janet Potter on John Green’s heartbreaking novel.)
If you read Lydia Kiesling’s recent piece about Granta’s Young British Novelists and thought to yourself, “That John Freeman guy sounds like a grand ol’ chap, but I think I could do his job better,” then I have two things to say: 1) That’s kind of a rude thing to think to yourself. And 2) You’re in luck, I guess, because he’s in need of a replacement.