“Of course the evening ends with Abbi and Ilana in the bath, together, passing their ‘weed’ from one mouth to another. But I am chilled, less comforted somehow. How are these people anything less than confused, every hour of every day? How on earth, how in all of Eros, do women know which vote to cast, which life to elect as their own?” The Diary of Anaïs Nin While Watching Broad City courtesy of Laura Eppinger at The Rumpus.
William Carlos Williams‘s birthday was this last week, and Adam Kirsch writes about the poet for New York Review of Books. Though he argues that “today it would be hard to find a reader of poetry who would not acknowledge William Carlos Williams as one of the major American modernists” Kirsch still has to face the question, “why is it, then, that almost fifty years after his death, the reputation of [Williams] still seems to be haunted by a ghost of uncertainty?”
We once wondered if Lionel Shriver is America’s best writer, and she once shared with us her love for William Trevor. In an interview with The Atlantic, she talks about not having kids and says the adaptation of We Need to Talk about Kevin “is a far better film than I had any reason to expect them to be able to make.”
Recent estate sales, auctions, and rights deals concerning the legacy and works of William Faulkner are “raising complex questions about what happens to the works of great writers after they die,” writes Stefanie Cohen. “For their part, Faulkner’s heirs say they aim to both honor the writer’s work and raise funds.” (Bonus: the ongoing, public legal battle over rights to Harper Lee’s To Kill a Mockingbird.)
Historians N. D. B. Connolly and Keisha N. Blain have done us all a serious solid by assembling a syllabus of readings around “what many simply call ‘Trumpism’: personal and political gain marred by intolerance, derived from wealth, and rooted in the history of segregation, sexism, and exploitation.” The self-directed course contains readings from more than 100 scholars – including Audre Lorde, Aziz Ansari, and Ta-Nehisi Coates – and aims to “introduce observers to the past and present conditions that allowed Trump to seize electoral control of a major American political party.”
Over at VICE, Karan Mahajan, Tanwi Nandini Islam, and Jenny Zhang talked about the new generation of Asian American writers. “There isn’t really a canon, which means if you are Asian American and writing, you’re automatically adding to it. Once I realized this, I became extremely protective of my writing,” said Zhang. Pair with this Millions interview with Mahajan.