“It is hard to see why anyone would abandon the generous Pearce Sectional Sofa, so we must assume that whomever was under that cozy throw was taken by force. More signs of abduction: reading glasses left atop a rare antique encyclopedia, a half-finished glass of wine, and a decorative conch shell that has tumbled to the floor, not to mention the wide-open French doors.” Pottery Barn catalogue descriptions written by an aspiring crime novelist.
“Why do we love our writing teachers so much? I think it’s because they come along when we need them most, when we are young and vulnerable and are tentatively approaching this craft that our culture doesn’t have much respect for, but which we are beginning to love. They have so much power. They could mock us, disregard us, use us to prop themselves up. But our teachers, if they are good, instead do something almost holy, which we never forget: they take us seriously.” George Saunders offers a timeline of his writing education over at The New Yorker.
Over at Bloom today, a lively Q&A with Charles McNair, whose Pickett’s Charge was the subject of Kevin Hartnett’s recent review here. In particular, McNair takes us through the harrowing blow by blow of his road to publication, the “sophomore jinx story” from a Pulitzer Prize-nominated author.
“They might underline a page number, draw a little star on the last page, or write their first initial somewhere in the book.” A librarian in Scotland discovered a secret code used by elderly patrons to track which books they already read. From our archives: an essay on the importance of libraries and how they can stay relevant.
The Ripped Bodice (the only bookstore in the United States dedicated solely to romance books) released a report looking at the state of diversity in 2016 romance novels. Last year there were only 7.8 published romance novels by writers of color for every 100 books from 20 major romance publishing companies. “Of particular concern is the suggestion, as revealed by the study, that publishers are not reflecting their readership base with any kind of parity. According to Pew Research, black women with college degrees are more likely to read a book than any other group. Since romance readers are approximately 84 percent female, this suggests there is a large swath of the population who don’t see themselves represented in authors or protagonists.” Entertainment Weekly highlights some major takeaways from the survey, read the rest of the appalling stats and then go support romance writers of color.