“These are terrific diversions, but their status next to the book is a little ambiguous. Isn’t using animation to advertise a book a little like using sculpture to promote poetry?” asks Lindesay Irvine in this article about book trailers in The Guardian. If you’re looking for a diversion, this video short based on César Aira‘s Ghosts is certainly worth watching.
Enlightenment comes in many guises, and though we usually think of it as arriving in a koi pond or a distant mountaintop, we can also find it, as the protagonist of Year in Reading alum Tom McCarthy’s new novel attempts to do, on Staten Island. In The New Republic, David Marcus reads the book.
“It all started with A Is For Alibi, then came B Is For Burglar, C Is For Corpse and on and on through the alphabet.” NPR interviews Sue Grafton about her Kinsey Millhone series, currently spanning 25 letters – the newest and penultimate entry, Y for Yesterday, comes out today – and 35 years. Pair with Ujala Sehgal‘s list of five crime novels where women are the true detectives.
“In the silence, there is solitude. In the solitude, there is silence. This is the whole point of technology. It creates an appetite for immortality on the one hand. It threatens universal extinction on the other. Technology is lust removed from nature.” Don DeLillo, author of White Noise, “reviews“ Taylor Swift‘s white noise for The Atlantic.