Recommended Reading: On the the anticriticism of Jonas Mekas, the “raving maniac of the cinema,” courtesy of The Paris Review.
In one of the most delightful photography projects of late, authors have dressed up as their favorite children’s book characters for Cambridge Jones’s 26 Characters exhibition at The Story Museum. Neil Gaiman looks particularly dashing as Badger from The Wind in the Willows. The exhibition will run from April 5 to November 2 in Oxford, U.K.
Michael Chabon is really into prog rock. And I just picked up a couple of great Emerson Lake & Palmer LPs. So now I’ve got a soundtrack for reading Telegraph Avenue, which I’m especially stoked on after our own Michael Bourne’s review of the novel, devoted as I am to the “brilliant little brushstrokes of language.”
“The way this propaganda works is you take something insane and wrap it in a little bit of truth, and then all those people swallow it because it’s wrapped in a little bit of truth.” Columbia Journalism Review talks to the victims of fake news, from Sandy Hook parents to election overseers. Also worth thinking about in this context, the American usage of modern English.
Out today are Zsuzsi Gartner’s Better Living Through Plastic Explosives, which was shortlisted for Canada’s top literary prize, and Antifragile: Things That Gain from Disorder bestselling expert on chaos Nassim Talib. Out in paperback: The Paris Wife by Paula McLain and How It All Began by Penelope Lively.