“’This splendid lady sandbagged me,’ Bloom said in a recent phone conversation, with the lofty, ungrudging admiration of an old general recalling an opposite number’s surprise attack at some long-ago battle. Flummoxed, he asked if they had not made an agreement. Ozick, Bloom recollects, said, ‘When you are dealing with the devil, you must be prepared to do anything!'” This New York Times Magazine profile of Cynthia Ozick makes it clear that, at 88, she shows no signs of slowing down.
Metaphor and Memory, Fame and Folly
Preview Michelle Tea
At McSweeney’s, preview Michelle Tea’s Castle on the River Vistula, the final installment of her Chelsea trilogy. You could also check out our piece on contemporary YA fiction and talk therapy.
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Lowbrow
“I have a theory: the thing that makes you a unique writer hasn’t got so much to do with your influences as it does with how you became a writer in the first place. I think your preferences—your obsessions—come just as much from the first sorts of things you consumed and were passionate about. Whether that’s pop music, comics, “lowbrow” fiction, soap operas, or anything else, the thing that matters most is what started you writing stories.” Amber Sparks writes about “lowbrow” influences and the many paths to becoming a storyteller in an essay for Electric Literature.
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New Bechdel Memoir
Yesterday we learned Alison Bechdel won a MacArthur grant, and we thought we couldn’t be happier. Then we heard there’s a new Bechdel graphic memoir in the works, The Secret to Superhuman Strength.
In Defense of Unread Books
According to Karen Hopkin, a house full of books—whether they're read or not—enhances intellectual capacity and literary habits.
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Oscar Wilde Was a Self-Plagiarist, Too
Oscar Wilde’s first and only office job was as the editor of The Woman’s World, a British fashion magazine. Millions contributor Kaya Genç tells the tale, and even explains how Wilde self-plagiarized, too.
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Fences
Growing up in California, our own Michael Bourne didn’t have a full sense of his own privilege until 1981, when a chance encounter with a group of teenagers dressed up as skeletons woke him up to the realities of segregation in America. In a long essay for Orange Coast Review, he goes over the meaning of that incident, complete with meditations on Marin County, his abandoned early novel and his family’s history in Danville, Virginia. Pair with: Michael’s piece for The Millions on Tess Taylor’s The Forage House.
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