“I was being paranoid, but those of us who write memoirs should never underestimate the damage they can cause. I’ve seen close relationships rocked by a memoir. I’ve seen parents stop speaking to their children for years. Memoirs pose a natural threat to the family mythology, those portraits framed on the mantel piece that say everyone is happy and nothing is wrong.” Sarah Hepola asks her mother and father what it felt like to be portrayed in her memoir, Blackout.
When our own Mark O’Connell reviewed Edouard Levé’s Autoportrait, he wrote that the book compels you to keep reading because “the more Levé says, the more facts he sets down, the more you realize he hasn’t said.” But what if at the end, you’re meant to reread the book, too? Over at Words Without Borders, Jan Steyn says “the only way to get a better idea of how [these sentences] fit together is to keep reading, and reading, until the end, and then perhaps to read the book again.”
Out this week: The Nix by Nathan Hill; Ashes of Fiery Weather by Kathleen Donohoe; The Legend of Jesse Smoke by Robert Bausch; and Sex and Death, a new story anthology including pieces by Kevin Barry, Wells Tower and Yiyun Li. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.