Meet Eunice Waymon, who Nina Simone was before she became Nina Simone. John Lahr reviews What Happened, Miss Simone? by Alan Light. Pair with Bill Morris’s piece on the Hollywood biopic.
Meet Miss Simone
Who doesn’t love to hit happy hour after work?
Christine Sismondo believes bars deserve more credit for “produc[ing] a particular type of public sphere in colonial America.” She discusses her new book America Walks Into a Bar with The Smithsonian’s Rebecca Dalzell.
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New Asymptote Featuring Péter Nádas and Anne Carson
Recommended Reading: The latest issue of Asymptote, which features work from Péter Nádas and an interview with Anne Carson. (Bonus: Carson has a poem up on The New Republic’s website.)
Ignoring Genre
In an interview with The Atlantic, Zone One author Colson Whitehead says the distinction between “literary” and “fantasy” genres “have no use for me in my day-to-day work experience.” Whitehead is just one of the recent high-profile authors to foray into genre fiction, however, as Kim Wright explored in a piece for us last month.
The New Gay Novel
“Garth Greenwell’s project with What Belongs to You is to remind us how illicit cruising and anonymous sex figure within the modern gay identity. As the gay marriage movement helps sanitize (and de-sexualize) queerness, Greenwell brings the dark and sordid elements of sex and promiscuity back into sharp relief.” Over at Pacific Standard, Nathan Smith writes on the new gay novel. Pair with the Millions review of Greenwell’s book.
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Ruin-Reading
Junot Díaz is at home discussing his native Hispaniola as he muses on the function of apocalypse – New Orleans, Haiti, and Japan – in our global media landscape.
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The Real Cuba
Year in Reading alumna Patricia Engel writes about the “real” Cuba she encountered in her research trips. Pair with Bill Morris’s Millions essay on Havana’s love for cars.
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