If you haven’t watched it already, you should now. Lin-Manuel Miranda reads a sonnet in honor of his wife and the victims of the Orlando massacre at the Tony Awards. “And love is love is love is love is love is love is love is love cannot be killed or swept aside.”
When Belarusian investigative journalist Svetlana Alexievich won the Nobel Prize earlier this year, her horrifying and poetic book Voices From Chernobyl exposed a great many readers to the Chernobyl disaster. Now, this piece from The Atlantic takes a look at Chernobyl’s literary legacy over the past three decades.
Chuck Palahniuk dropped big news at San Diego’s Comic Con last week: he’s currently working on a follow-up to Fight Club… in the form of a graphic novel. “It will likely be a series of books that update the story ten years after the seeming end of Tyler Durden,” he told attendees. “It will, of course, be dark and messy.”
Jane Austen is a rare figure. Acclaimed as one of the most brilliant authors in modern history, she has a popularity that few of her peers can match, as evidenced by her posthumous sales and huge numbers of dedicated fans. How did her work hit the sweet spot of broad appeal and scholarly fame? In the WSJ, Alexander McCall Smith provides a theory. (h/t The Paris Review Daily)
“Women writers and writers of color don’t really have the luxury of being known simply as writers. There’s always a qualification,” Roxane Gay writes for The Nation. She ponders what it means to be a “black woman writer” and concludes that we should view diversity as a search for “urgent, unheard stories.”