Catapult has a new anonymous column in which a little bird called Magpie collects nice things that happen each week.
A Little Bird Told Me
Cain: Selling a Candidate or Selling Books?
Instead of capitalizing on his newfound momentum by hitting the campaign trail hard, Herman Cain this week opted to spend most of his time promoting his book, This is Herman Cain! My Journey to the White House, which just arrived in retail stores this week.
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Nicole Dennis-Benn Moves Forward
Nicole Dennis-Benn discusses her latest book, Patsy, a novel that explores issues of motherhood, the working class, sexual identity, and immigration.
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Braving the Bestsellers
Canonical literature isn’t the only way to learn about America. The bestseller list can be equally as telling. Matthew Kahn is reading 100 years of No. 1 bestsellers from 1913 to 2013. He blogs about the books and discusses the project in an interview with Salon’s Laura Miller. When Miller asks what makes a bestseller, he claims, “A lot of it is just a matter of accessibility. A focus on plot and character rather than structure and the prose itself.”
A Song of Spare Time
As you might expect, the world of Game of Thrones fanfiction is complicated, pornographic and more than a little bit intimidating.
Education in America
In The New York Review of Books, Anthony Grafton has a long piece on the issues facing the American university system. I’ve previously linked to Malcolm Harris‘ excellent n+1 piece on the “higher education bubble,” but this infographic vividly illustrates that same inflation.
Trigger Warning: Literature
Students at the University of California Santa Barbara, Rutgers, Oberlin, and others have been requesting “trigger warning” labels on literature from The Great Gatsby to Huck Finn. In The Guardian, University College London Professor John Mullan snipes, “You might as well put a label on English literature saying: warning – bad stuff happens here.”
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A Community of Introverts
“What I want to know is, since when does making art require participation in any community, beyond the intense participation that the art itself is undertaking? Since when am I not contributing to the community if all I want to do is make the art itself?” Meghan Tifft gives voice to the struggle of the introverted writer in an essay for The Atlantic.
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