Emily Smith writes on literary friendships throughout history at Ploughshares.
Last week Konstantin Kakaes — whose new book The Pioneer Detectives is our latest Millions Original — led a discussion on "how scientists search for truth and how that search isn't always straight-forward." You can catch a broadcast of that discussion tonight on BookTV at 7:30 PM.
At The Morning News, a wide-ranging conversation with the writer Philip Graham, most recently the author of The Moon, Come to Earth: Dispatches from Lisbon. Included is his account of getting a story into the New Yorker off the slush pile, and a footnote touting The Millions and other online literary venues as places to find great book recommendations.
Writing a novel is an all-consuming project, so can you imagine not telling anyone? At The New York Times, Alice Mattison discusses keeping her novels secrets until at least the third draft. "If I talk about the book, I believe — I cannot help believing — my characters will be angry, and will no longer confide in me about their embarrassing, troubled lives." On another side of the secrecy spectrum, Emma Straub writes about what it's like to keep a personal secret even as her literary life was booming.
Courtney Traub talks with Kevin Begos, Jr, publisher of Agrippa, a Book of the Dead, a 1992 book that contains an encrypted poem by William Gibson set to self-erase after a single reading. Begos explains his intentions when creating the book, and Traub recounts the difficulties Oxford recently had when deciding how to archive a work that deliberately resists preservation. Gibson's newest book, Distrust That Particular Flavor, made our list of the most anticipated releases of 2012. Also don't forget to read our review of Gibson's 2010 novel, Zero History.