Recommended Reading: A very long (and informative) piece on Tom Vanderbilt’s new book, You May Also Like, and why people enjoy the things they do in the Age of the Internet.
Like It or Love It?
Zooey Deschanel on New Girl
Every Wednesday, Vanity Fair bloggers dissect Zooey Deschanel’s performance on New Girl and quantify each quirk as “adorkable” or “tweepulsive.”
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Fact-Checking Fiasco
What do you think gets fact-checked the most rigorously: newspaper articles, magazine stories, or books? If you guessed books, you’d be surprised to know that they are rarely, if ever, fact-checked. At The Atlantic, Kate Newman questions why we have so much faith in books’ accuracy but why publishers don’t bother.
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“How should intellectuals write about acts of immense depravity?”
This is a fantastic piece on W. H. Auden, “The Murder of Lidice”, and the importance of the ideological and political contexts of war. Joanna Bourke writes, “the flood of poems [after the Lidice massacre] actually served to draw attention away from the people of Lidice and towards the swollen sensibilities of the poets and their readers.”
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Leah Hampton on the Bifurcated Vantage Point
Leah Hampton discusses her debut collection, F*ckface: And Other Stories, which takes a closer look at lives in the modern-day American South.
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Kafka in Myanmar
“On my manhood rests a tattooed / portrait of Mr. President. / My beloved found that out after we wed. / She was utterly gutted, / Inconsolable.” Poet Maung Saungkha may have to prove in a Myanmar courtroom that he doesn’t have a tattoo of the nation’s president on his genitals.
How to Finish a Fairy Tale
“I just didn’t see the textual evidence for it. If Mark Twain wanted to make somebody black, he would make them black. He was not shy about dealing with matters of race.” For The New Yorker, Mythili G. Rao on the complicated backstory to the upcoming publication of The Purloining of Prince Oleomargarine, a “new” children’s book by Mark Twain. See also: our consideration of Twain’s self-deprecating travelogue The Innocents Abroad.
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