Recommended Reading: On queer terminology and writing queer history.
In Today’s Terms
Esterházy in Manhattan
Tonight at 8, the 92nd Street Y in New York hosts Millions favorite Péter Esterházy, author of the amazing Celestial Harmonies. András Schiff offers musical interludes. Look for an interview here in the next couple of weeks.
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Bright Eyes
After the sculptor Henri Gaudier-Brzeska died fighting in the trenches, Ezra Pound wrote a book about his work, inspiring a wave of interest that brought the sculptor to prominence. The book came out in 1916, a year after Gaudier-Brzeska’s death, and kicked off a succession of great books that tackle his sculptures. Yasmine Seale writes about their legacy in the LRB.
Code-Switching Patchworks
Over at Ploughshares, Daniel Peña traces a parallel between Maggie Nelson’s The Argonauts and Gloria Anzaldúa’s hybrid text Borderlands/La Frontera: The New Mestiza. As he puts it, “To separate Anzaldúa from the larger canon (and subsequently from those books she influenced) is to ignore her contribution to American literature. It’s to say she doesn’t belong in that kind of highbrow conversation, which she so obviously does—even Nelson acknowledges that she does.”
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Peter Carey Point-Counterpoint
Contrasting takes on Peter Carey‘s Parrot & Olivier in America, from Open Letters Monthly and…er, The Onion.
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Gentlemen of Your Acquaintance
“A wealthy and influential harridan disapproves of you and makes sure everyone within earshot knows it. You don’t give a fig what she thinks. You flutter your fan defiantly.” How to tell if you’re in a regency romance novel.
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The Best Episode of Science Friday Ever?
Public radio program Science Friday has quite a lineup on tap this week: “Science and art often seem to develop in separate silos, but many thinkers are inspired by both. Novelist Cormac McCarthy, filmmaker Werner Herzog, and physicist Lawrence Krauss discuss science as inspiration for art and Herzog’s new film on the earliest known cave paintings.” (via @maudnewton)
Brittle Bird Bones
Recommended Reading: This unsettling, important essay by Kira Jane Buxton at The Rumpus: “He starts to move with a slow hiss. This is his place, his world, and so when he walks he does it slowly, time in his pockets. He keeps his eyes on me, keeps me in my place in his world. I can’t hold the fear back for much longer, the bridle is snapping.”
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