Tim Parks’s review of Han Kang’s The Vegetarian has some pretty interesting things to say about the nature of reviewing translation, but it also takes some shots at the novel and its proponents: “Looked at closely, the prose is far from an epitome of elegance, the drama itself neither understated nor beguiling, the translation frequently in trouble with register and idiom. Studying the thirty-four endorsements again, and the praise after the book won the prize, it occurs to me there is a shared vision of what critics would like a work of ‘global fiction’ to be and that The Vegetarian has managed to present itself as a candidate that can be praised in those terms.” Here’s a Millions review of Kang’s Man Booker International prize-winner.
Out this week: Thus Bad Begins by Javier Marías; Fish in Exile by Vi Khi Nao; Virgin and Other Stories by April Ayers Lawson; Valiant Gentleman by Sabina Murray; Pull Me Under by Kelly Luce; Faithful by Alice Hoffman; and Commotion of the Birds by John Ashbery. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
Anne Carson has a new story in this week’s issue of The New Yorker, about swimming and its discontents. As she puts it, “People think swimming is carefree and effortless. A bath! In fact, it is full of anxieties.” Pair with her first published short story in the January issue of Harper’s.
What inspired Wally Lamb’s latest novel, We Are Water? Part of it came from his experience teaching writing at a women’s prison in Connecticut for the past 14 years. He spoke to The Missouri Review about what it’s like to teach “the incarcerated wounded” and how they have influenced his work. “With my fiction, I’ve never been afraid to go to the dark places, but I think the women have made me more daring.”