Lit Hub has created a Rotten Tomatoes for the literary world. Once a book receives three reviews, it is assigned a score on their new site, Book Marks. Alex Shephard asks if we might have a grade inflation problem.
High Book Marks
The New VC
In Wayde Compton’s The Outer Harbour, a series of short stories take the reader from the present day to 2025, exploring a near-future Vancouver in which things grow steadily more surreal. As Emily Oppenheimer writes, it’s clearly a work of speculative fiction, yet the setting resembles our own world in uncanny ways. Sample quote: “Compton achieves the more troubling, yet ultimately more satisfying, goal of portraying the fantastical as something that is very much rooted in what we think we already know about ourselves and our world.”
Not a Title
In the first two lines of a piece in the latest New Yorker about the Alaskan poet Olena Kalytiak Davis, Dan Chiasson points out that her new book, The Poem She Didn’t Write and Other Poems, has an undeniably excellent title. In describing her appeal, he says that her submissions to the canon are “anti-submissions,” by which he means that she actively rejects association with more famous poets. “Davis’s professed unworthiness is one of many tricky manifestations of her ambition,” he writes.
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Words for Cash
Tim Parks takes a look at recent literary history and sincerely asks, does money make us write better? Supplementary reading: Nick Ripatrazone’s look into the economy of literary magazines.
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Essential Reading
Over at Vulture, twenty-eight authors including Alexander Chee, Margo Jefferson, Colum McCann, and Eileen Myles write about the books that changed their lives. Pair with our article in which six authors reflect on their childhood reading.
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Who owns a story?
“Who owns the story, the person who lives it or the person who writes it?” Both? Roxana Robinson writes for The New York Times’ Opinionator blog about “The Right to Write.”
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More and More Queer YA Love Stories
The Washington Post interviews four Young Adult authors whose books go beyond coming out stories, these authors want queer love stories to be mainstream. Their books range from contemporary to historical to fantasy. “As authors get more comfortable exploring LGBT storylines, the coming-out tale isn’t disappearing. ‘I think we’ll always need for the foreseeable future both types of stories,” Silvera added. “While I’ve been so happy being able to live an out life, I think a lot about teens who aren’t able to be out right now and I want to write for them.’ Slipping back in time to write for teenagers gives authors the opportunity to explore first love again.” Take a look and consider adding these to your reading list.
A Stop-Motion Valentine
A little stop-motion film qua valentine that might appeal to V-day nonbelievers.
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