Over at Flavorwire, Jonathon Sturgeon responds to Jeff Guo’s recent article on the end of the period. As he puts it, “Any long piece without periods — is like a car without brakes. You can drive it, but you’d rather not.”
“It just goes to show you: it’s not just luck you need to have a successful literary career. It’s luck, piled on luck, piled on luck again, and around the corner, you need another sprinkling of it” says Michelle Dean, after investigating Stephen King’s rise in response partly to Dwight Allen’s “Snob Notes” on the author. Colin Dickey and Sarah Langan have both previously weighed on on Allen’s essay and King’s particular strengths.
“American television has been a juvenile medium for most of its existence,” David Simon tells Salon. This defense of ‘Treme’ was published three days after David Thier called the show “deeply boring” in The Atlantic. “There is nothing New Orleans loves so much as New Orleans” Thier says, “but the show can’t get past the desire to be authentic.” Sarah Broom, during last May’s PEN World Voices Festival, said “this ‘love of place’ is really just from people who are stuck in a lots of ways.” But hey, at least the show’s attention to detail is admirable.
In honor of Women in Translation month, The Guardian asks 10 female translators and writers about the work that inspires them, with answers ranging from Visitation by Jenny Erpenbeck to Valeria Luiselli’s The Story of My Teeth, which we reviewed when it came out in the States. Pair with this survey of the work of Argentine writer Leila Guerriero.
A conference on the implications of Google’s proposed settlement with publishers will highlight the massive role Google’s scanning project will play in the future of books. “‘This is the last library.’ It’s going to be extremely difficult for anyone else to create a similar digital library in the future, at least under the current laws.”
Recommended Reading: Nathaniel Rich discusses Stephen Wright’s Meditations in Green, which he says is remarkable because “it convinces you that the war never ended.” Indeed, Rich writes, the author’s debut novel “suggests that Vietnam at some point transcended the Indochina peninsula and became a mental condition, a state of being not unlike certain forms of insanity, that has become encrypted in our genetic code.”
Martin Scorsese is finally making a movie without Leonardo DiCaprio. He and David Tedeschi are working on a documentary about The New York Review of Books. It will cover the publication’s history and feature new footage of Joan Didion and Michael Chabon, among others. The film is a work in progress but will premiere at Berlinale next month.