“Macbeth has a twist that sets it apart from every other Shakespearean tragedy: Macbeth murders his voice. Mad with fear that Banquo’s heirs will seize the throne, Macbeth has Banquo killed. After that, our antihero is on his own. There is no one left to verify what is real and what is not … When Macbeth’s voice dies, everything else disappears, too. Macbeth is alone.” This excerpt from Jillian Keenan’s Sex With Shakespeare touches on everything from sexuality in Singapore to The O.C. fan-fiction.
The Millions is thrilled to welcome Kirstin Butler as our new Social Media Manager. Kirstin got her start in books at the Harvard Book Store and has worked on projects for Slate, MTV Networks, and a variety of other outlets. She’s a writer with bylines at places like The Atlantic and The New Republic, and a novel is in the works. Find her online here, and of course, on The Millions‘ feeds.
The good souls at Longform.org have organized all of this year’s National Magazine Award winners.