“Macbeth has a twist that sets it apart from every other Shakespearean tragedy: Macbeth murders his voice. Mad with fear that Banquo’s heirs will seize the throne, Macbeth has Banquo killed. After that, our antihero is on his own. There is no one left to verify what is real and what is not … When Macbeth’s voice dies, everything else disappears, too. Macbeth is alone.” This excerpt from Jillian Keenan’s Sex With Shakespeare touches on everything from sexuality in Singapore to The O.C. fan-fiction.
Hearing the Voices
Listen Up!
Don DeLillo spoke in Chicago last week, after receiving the Carl Sandburg Literary Award. Adam Daniels, our intrepid #LitBeat correspondent, reports.
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Au Revoir Archie
After 73 years, everyone’s favorite redheaded comic book hero will be killed off. Archie Andrews will die in a July issue of the Life With Archie comic. “He dies saving the life of a friend and does it in his usual selfless way,” Archie Comics CEO Jon Goldwater said. That won’t be the last you’ll see of Archie, though, because Lena Dunham will write a few issues in one of Archie’s other comic incarnations.
Tuesday New Release Day: Hannaham; Torday; Essbaum; Horack; Rubin; Landau; Hewitt
Out this week: Delicious Foods by James Hannaham; The Last Flight of Poxl West by Daniel Torday; Hausfrau by Jill Alexander Essbaum; The Other Joseph by Skip Horack; The Poser by Jacob Rubin; The Empire of the Senses by Alexis Landau; and The Dynamite Room by Jason Hewitt. For more on these and other new titles, check out our Great 2015 Book Preview.
One Step Closer to a TARDIS
The New Museum wants Big Apple residents to recall their not-so-distant pasts. By calling 1-855-FOR-1993 from hundreds of pay phones throughout the city, New Yorkers can hear something interesting about their location – as it existed exactly twenty years ago.
Poetry of Displacement
Recommended Reading: Mai Der Vang’s striking poem about displacement “Light From a Burning Citadel” at The Missouri Review. “Once this highland was our birthplace. Once we were children of kings.”
Rabbit Run
“[C]hildren often prefer the factual over the fantastical. And a growing body of work suggests that when it comes to storybooks, they also learn better from stories that are realistic. For example, preschool-aged children are more likely to learn new facts about animals when the animals are portrayed realistically as opposed to anthropomorphically.” Two new studies suggest that where learning is concerned, realism trumps fantasy in children’s books. Which is as good a time as any to ask our own Jacob Lambert‘s question: Are picture books leading our children astray?
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