Hyperallergic has excerpts from Rokudenashiko’s graphic memoir What Is Obscenity? The Story of a Good For Nothing Artist and Her Pussy, which Michael Melgaard recently reviewed at The Millions.
George Packer at Lapham’s Quarterly writes of meeting a young Burmese reader of Charles Dickens: “‘All of those characters are me,’ [he] explained. ‘Neither a British nor American young man living in the twenty-first century can understand a Dickens as well as I can…I am more equipped to understand Dickens than modern novels. I don’t know what is air conditioning, what is subway, what is fingerprint exam.’” (via Book Bench)
You can listen to Robert Kloss read from The Alligators of Abraham, which was released last Thursday from Mud Luscious Press. The author also composed a playlist to accompany his book. The gorgeous text has been receiving much-deserved advance praise, and it’s even borne a “series of texts – videos, art, stories, and more – written, filmed, cobbled together, and razed by different artists from around the literary world.”
Jonah Lehrer may not have exactly “self-plagiarized” his own work, but he certainly did recycle a good amount of his writing in a misleading way. And while many have criticized this kind of lazy writing, it’s worth revisiting Tim Requarth and Meehan Crist’s critical review of Lehrer’s book, Imagine, which plays a central role in this entire scandal.
“I believe that fiction can help, and if that’s what makes me inevitably a genre writer, that’s okay,” John Green said in a speech at Kenyon College about why we should make art, genre fiction, and bad college hook up experiences. Bonus: Here are Green’s 18 books you probably haven’t read.