Hyperallergic has excerpts from Rokudenashiko’s graphic memoir What Is Obscenity? The Story of a Good For Nothing Artist and Her Pussy, which Michael Melgaard recently reviewed at The Millions.
In the wake of Jonathan Franzen‘s much discussed New Yorker essay on Edith Wharton, Laura Miller defends readers who look to an author’s life to aid their understanding of a given work: ” Byron’s clubfoot, Flannery O’Connor’s lupus, Coleridge’s opium addiction and whatever was wrong with Hemingway do interest many readers because these factors shaped the life experiences from which the great work sprang.”
In an interesting turn of events, Amazon has opened its first brick-and-mortar store in Seattle: Amazon Books. Marketing information from the company’s website will help decide how to stock its shelves. Our own Michael Bourne announces that Amazon has purchased the English language.
What do you get if you combine Man Ray with some of the most celebrated artistic figures of 1920’s Paris such as Ernest Hemingway, Lee Miller, and Marcel Duchamp? The answer is: some predictably fantastic portraits. For more on Man Ray, here’s a moving essay on how his Hollywood Album redefined Liska Jacobs’ idea of a “life’s work.”
Out this week: Levels of Life by Julian Barnes; The Lowland by Jhumpa Lahiri; Between Friends by Amos Oz; and a new paperback edition of The Round House by Louise Erdrich. For more information on these books and other new titles, check out our Great Second-half 2013 Book Preview.