At WBUR’s Modern Love podcast, actress Alysia Reiner (Orange Is The New Black, How To Get Away With Murder) reads author Laura Munson’s essay “Those Aren’t Fighting Words, Dear” from her memoir This Is Not The Story You Think It Is.
I’ve been meaning to link to Ed’s review of Stephen King’s Lisey’s Story in the Philly Inquirer. Jenny finds that not everyone agrees with Ed. Previously: King tells the Paris Review the he sees Lisey’s Story as a “special book.”Why Levi won’t be reading Thomas Pynchon’s new book Against the Day. Michael, meanwhile, already has his copy.Former book columnist at the Dallas Morning News Jerome Weeks has started a blog, book/daddy. Weeks took a buyout from his paper and has been vocal about the downsizing of cultural coverage in newspapers. See Weeks’ comment on a recent post on this topic.Assigned reading too hard for schoolkids say experts.Google recently subpoenaed a number of companies – Microsoft, Amazon, Yahoo and publishers Random House, Holtzbrinck, and HarperCollins – to collect evidence that will back its side in the copyright case against Google Books being brought by authors and publishers. Now, Amazon has rejected Google’s request, and the other companies are expected to follow suit.
Ahead of its mid August movie debut Kevin Kwan talks about the real life inspiration behind his Crazy Rich Asian trilogy. “But the people who know me, who have read the books, and who are also in that world in Singapore, Hong Kong, and other parts of Asia, don’t get it.” Refinery29 has more.
What if Petrarch had blurbed The Divine Comedy, or Shakespeare, “author of Tony Award-winning sensation Hamlet,” had reviewed Don Quixote? Tom Rachman imagines these blurbs and more for The Rumpus, and his piece pairs well with our brief history of the blurb.
New releases this week: All Is Forgotten, Nothing Is Lost by Lan Samantha Chang, “a writing-school success story” according to the New York Times in its review, Obama’s Wars, the latest book by legendary reporter Bob Woodward, Listen to This, a collection of essays published by music critic Alex Ross during his 12-year career at The New Yorker, and (almost new) is David Grossman’s To the End of the Land, as reviewed by Rayyan Al-Shawaf for The Millions.
As part of his research for his recent treatise on office life, Cubed, n + 1 editor Nikil Saval looked back on his own years in an open office. In an interview with Sara Scribner, he talks about his growing awareness that it wasn’t good for his health: “It was sociable in some good senses, but also mostly not a pleasant place to be.”