“Every month, Literary Hub, Electric Lit, and Catapult engage more than two million people with serious writing and contemporary writers, instead of leaving them to play Candy Crush or what-have-you.” Meet the man behind Lit Hub, Electric Lit, and Catapult, Andy Hunter. For reflections on the world of print, Nick Ripatrazone writes on the literary magazine and getting paid.
Among the better tidbits from Gary Shteyngart’s diary of his book tour for Little Failure is the fact that he’s apparently had fellow Russian immigrants ask him to sign books for “a failed paralegal” and “a worse failure than even you.” If, after reading that, you'd like another dose of Shteyngart, you could do worse than his Year in Reading entry.
Recommended Reading: Owen Hatherley at the London Review of Books discusses postcapitalism and a world run by clicks: "The sin of ‘original research?’ – a solecism nearly as grave as ‘citation needed’ – is another reminder that the non-postcapitalist labour of academics is the basis of nearly the entire operation. Wikipedia is less a new form of knowledge than a novel packaging of an old one."
“Sometimes I fear that Midwestern authors are seen from a similar vantage point: that many of us are 'fly-over writers' to whom readers wave (or just ignore completely) as they make their way to Saul Bellow and Stuart Dybek and Marilynne Robinson. I fear that these bigger names, along with a few others (Charles Baxter, Lorrie Moore), are seen as exceptions to the general rule that little of cultural worth grows in this flat, middle stretch of the country.” On the plight of the literary Midwesterner.
"These are terrific diversions, but their status next to the book is a little ambiguous. Isn't using animation to advertise a book a little like using sculpture to promote poetry?" asks Lindesay Irvine in this article about book trailers in The Guardian. If you're looking for a diversion, this video short based on César Aira's Ghosts is certainly worth watching.