“Every month, Literary Hub, Electric Lit, and Catapult engage more than two million people with serious writing and contemporary writers, instead of leaving them to play Candy Crush or what-have-you.” Meet the man behind Lit Hub, Electric Lit, and Catapult, Andy Hunter. For reflections on the world of print, Nick Ripatrazone writes on the literary magazine and getting paid.
“I say peel back the immediate surface layer and let’s see what’s actually underneath, if it’s possible to find that out. As a child, of course, I grew up looking under dead logs to see if there might be a newt. Most of the time there wasn’t a newt. Sometimes there was.” Margaret Atwood talks newts and skepticism in a new interview over at Hazlitt. Atwood’s newest, The Heart Goes Last, is out now.
The short shelf of books written by Jane Austen has been recently supplemented by many imaginative efforts–Jane Austen as an amateur detective, and several works depicting Austen characters (or Jane herself) as a vampire, a zombie or some other Gothic monster. So what’s next? Death Comes to Pemberley by P.D. James is Pride and Prejudice continued.
“Far more than any other medium, books contain civilizations, the ongoing conversation between present and past. Without this conversation we are lost. But books are also a business….” Jason Epstein explains how publishing works—and why, increasingly, it doesn’t, at the New York Review of Books. (via)