“Every month, Literary Hub, Electric Lit, and Catapult engage more than two million people with serious writing and contemporary writers, instead of leaving them to play Candy Crush or what-have-you.” Meet the man behind Lit Hub, Electric Lit, and Catapult, Andy Hunter. For reflections on the world of print, Nick Ripatrazone writes on the literary magazine and getting paid.
Two writers dive deep into David Foster Wallace's posthumous Pulitzer finalist novel, The Pale King. Seth Colter Walls takes a look at the tax classes the author took before he began writing, and Eliot Caroom checks the facts laid out in Wallace's portrayal of the IRS. (Related: the opening lines of The Pale King, and a previously unpublished scene as well.)
Last week, I pointed to former Millions-er Emily M. Keeler’s review of Wolf in White Van, the new novel by John Darnielle of The Mountain Goats. Now, at Slate, Carl Wilson offers his own praise of the book, which he describes as “not the kind of rallying cry or dark comfort that Mountain Goats fans are used to, but a complex meditation.”
Jonathan Lethem thinks his work is taken too seriously. "Well, I was just watching Richard Pryor, and he says, 'When you’re dating a white woman, and people don’t like it, you can’t really pretend. You can’t go, "Oh, she’s not with me."' 'You write the big, ambitious books, right?' Well, I guess they are," he said in an interview with Salon. He also discusses being equated with Jonathan Franzen and his new novel, Dissident Gardens.