“People in the publishing industry were complaining that ‘everyone is a writer now.’ I thought, well, why fight that? Isn’t that a good thing?” Andy Hunter, Publisher & COO of Catapult, Publisher of Literary Hub, and Co-Founding Chairman of Electric Literature, talks about the impetus for his three ventures.
Sergeant Ed Drew’s tintypes of the war in Afghanistan are the first tintypes made in a combat zone since The Civil War. Drew made them for his son. “I wanted him to know his father in the event that I was killed in action and it became less important that my work was done in tintype than that I could show the humanity of war in the eyes of airmen I fly combat missions with,” he said.
PW points out yet another publishing industry totem being torn down by the rise of e-books, the first printing number, once a signifier of how “big” publishers and the media expected a book to be: “In an era when first printings are down because e-books can account for as much as 50% of sales on frontlist titles, the term ‘first printing’ sounds more and more out of place.”
At NPR’s blog, Meg Wolitzer chooses five summer books that deserve more attention from readers. If you’re a Millions regular, though, you may find her selections a wee bit familiar, seeing as we reviewed Jessica Soffer’s book, interviewed This Is Running For Your Life author Michelle Orange and published The Unchangeable Spots of Leopards author Kristopher Jansma.
Lord Byron is perhaps our most prominent example of an extravagant writer in a bygone age. There’s a reason his antics earned him a popular adjective. However, he’s not the only writer from long ago to live large, as made clear in this New Yorker piece by Elizabeth Kolbert — inspired by the release of two new biographies — that deals with the up-and-down life and reputation of Seneca. Sample quote: “Seneca’s fortune made possible a life style that was lavish by Roman or, for that matter, Hollywood standards.”