Alexandra Alter traces how “a bleak, apocalyptic strain of post-revolutionary literature has taken root” in the Middle East following the Arab Spring.
In the latest issue of Harvard magazine, Nathan Heller writes about Arion Press, the last remaining “full-service letterpress in the United States.” Apparently Arion, which has “an in-house foundry where lead is melted into ingots,” sells editions of canonical titles (like Ulysses) that retail for thousands of dollars. (h/t our own Kevin Hartnett)
From one great publication to another: The Atlantic gushes over the “phenomenal” New York Review of Books.
The By the Book series at the Times has produced some pretty great entries, but we have a feeling that Colson Whitehead may go down as its best interviewee. Why do we say this? Well, it might have something to do with his weeping fit in a Chelsea Dallas BBQ, prompted by an early scene in Cormac McCarthy’s The Road.
In the beginning was the word, and the word was plagiarized, and this regular old plagiarism was bad. But then Jonah Lehrer taught us about self-plagiarism, and that was bad, too, but somehow less so. And now Jane Goodall is teaching us about Wikipedia plagiarism, which seems bad as well, and you know what? It’s hard to grade these things anymore. What’s next? David Bowie cribbing lines from T.S. Eliot?