“Elizabeth Hardwick, a formidable feminist in a different key, declared, ‘I don’t know what happened. She got swept too far. She deliberately made herself ugly and wrote those extreme and ridiculous poems.’” On the (difficult) art and activism of Adrienne Rich.
Crystallized Political Commitments
In Poor Taste
“Some of the most impassioned conversation in the literary world has been devoted to highlighting what it lacks: voices of people of color, of gays and lesbians, of those marginalized or oppressed or simply ignored. Look a little closer, however, and you’ll notice this conversation focuses on race and gender while paying less attention to a demographic category that’s arguably just as determinative: class.” Adam Fleming Petty on the marginalization of working class lit.
●
●
Cary Fukunaga to Direct WWII Flick
An unpublished novel by ESPN the Magazine editor Paul Kix will be adapted into a movie by True Detective director Cary Fukunaga. The project is known as Noble Assassin, and it will concern a French aristocrat who trains with British Special Operations in hopes of one day returning to his native country to lead the World War II resistance.
●
●
Oh, Kafka, we always reference you in times of simultaneous weirdness and banality.
“The story of how Kafka’s papers made their way into an apartment owned by a self-professed cat lady, Eva Hoffe, seems like a story only Kafka himself could have written.” If you say so, NPR.
Ghostwriters
What happens when a writer inserts a ghost or monster into a story? At Berfrois, Alexander Stachniak argues that much of our current literature about the uncanny fails to help writers looking to answer this question. (Related: Steve Himmer on his monstrous Mary Poppins dreams.)
You Should Have This Title Read to You
When it comes to the pleasures of reading out loud, Michael Robbins isn’t so much interested in “why we find certain sounds in certain combinations pleasing or disturbing,” but he does enjoy “the hows.”