Recommended Reading: Iona Sharma writes about language as a colonized space, with its own history, politics, and tradition.
The literary it-boys Katie Roiphe described last week in her provocative New York Times essay may say a polite “no, thank you” to sex, but not Legends of the Fall author Jim Harrison. No, sir. His lusty men of all shapes and sizes (octogenarians, clubfooted teens) take second helpings with gusto in his new collection The Farmer’s Daughter.
“Think the kennel partner was a man? Think he was, in Braverman’s telling, threatened by her success? You are correct. There are so many stories like this, in Double Bind, of ambition built up and then put in its place: the high school classmate who sneered to Roxane Gay, when he learned that she’d been accepted to Yale when he had not, ‘affirmative action.'”
Booksellers across the country have loaded up dollies with towers of boxes and carted them to the front of the store. Amazon has broken into its super-secret, double-locked, chain-link fence. Dan Brown’s The Lost Symbol is here. Understandably, other publishers have ceded this Tuesday almost entirely to the Dan Brown hype machine, but those looking for something (very) different can today find Joyce Carol Oates doing the zombie thing (not really) and the latest from Tao Lin.