“When I go back to Bogotá, I like to share my knowledge of the car bombs that went off in the city in the ’80s and ’90s. I helpfully point out the gory details to cab drivers and friends. I press my finger on the window and point at corners, ‘That’s the spot where an ATM blew up, seven dead.’” From Bogatá to Tel Aviv — here are ten writers on the places they immigrated from, returned to, remember, and call home.
You Can’t Go Home Again
JFK on the Decline of Physical Fitness
Recommended Reading: John F. Kennedy's 1960 essay, "The Soft American," in which the president warns us about "an increasingly large number of young Americans who are neglecting their bodies."
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A Mother’s Love
One Romanian woman may have committed “a barbarian crime against humanity” by incinerating a collection of seven famous paintings – including Picasso’s “Harlequin Head,” Monet’s “Waterloo Bridge, London,” and Gauguin’s “Girl in Front of Open Window.” Her excuse? It was in order to protect her son – a skilled art thief – from prosecution.
Just Stop There
What do Susan Sontag, Joan Didion and Year in Reading alumna Margaret Atwood have in common? They’re all great writers -- and they all had only one kid.
They’re Not Rocks
"I have this belief that you have to save at least half of your crucial experiences. The ones that are crystalline. The ones that you always can recall. And you recall that every detail—what actors call a sense impression. You remember how things smelled, what they felt like, how you felt at the moment. You remember every single last part of this episode, or moment in your life." This interview with Norman Mailer from The Paris Review never actually made it to print, which makes it all the more fascinating.
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Poets on Poets
Editing poetry can be tricky, and the work is often misunderstood. Many of the best houses leave the work to the experts: actual poets. But is that the best route? Indeed, as this Telegraph article puts it, "a house’s tone and fortunes can be radically altered depending on the poet in charge of the poems of others."
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Just let it be weird.
Mark Mann on going to the gallery and looking at art: "The fact is, nobody knows what art is or why people make it. This is blatantly disturbing."