Huzzah! 336 issues of the avant-garde magazine The Storm (1910-1932) have just been digitized and are available for download. Some notable contributors to The Storm included Vasily Kandinsky, Paul Klee, and many others.
Evidently, Alain de Botton has recovered from the unfavorable New York Times review of his latest book, The Pleasures of Sorrow and Work, for which he excoriated reviewer Caleb Crain, claiming that Crain “killed [his] book in the United States.” De Botton was just named Heathrow Airport’s first writer-in-residence. During his week tenure at a desk in Terminal 5, he will record his observations in “real time,” with his typing appearing on a screen behind him. Afterward, the entries will be collected and published as a book, A Week at the Airport: A Heathrow Diary.
Tin House magazine’s new Theft issue includes gems like this poem from Matthew Zapruder and this story by Kirsten Bakis among many others. John Brandon’s essay from The Millions on the literary consequence of petty theft is a perfect follow-up read for all of you kleptomaniacs out there.
We like big books and we cannot lie. But are books just continuing to get longer and longer? A new survey of bestsellers has concluded that the average book is now 25% bigger than its counterpart fifteen years ago. The Guardian investigates. Mark O’Connell at The Millions has his own theory about long books.
It’s that time of year again – our good friends at The Morning News are back with their annual epic, the Tournament of Books! Head over to TMN now to read round 1, which pits award season favorite Lincoln in the Bardo against Samantha Schweblin‘s Fever Dream (and read our own review of George Saunders‘s much-lauded novel here).
“I learned through imitation, but it was only when I followed—or found—my own voice that I was able to derive a different kind of inspiration from reading fiction, something subtler and more expansive. Today, when I reach a wall in my own work, I turn to authors I love to remind myself what is possible: that sentence, that structure, that daring twist of plot.” Chloe Benjamin, who just yesterday published a piece on choosing book titles for The Millions, writes about the dangers and rewards of reading while writing for Poets and Writers’ Recommends series.