Huzzah! 336 issues of the avant-garde magazine The Storm (1910-1932) have just been digitized and are available for download. Some notable contributors to The Storm included Vasily Kandinsky, Paul Klee, and many others.
Calm Before the Storm
Dear Colon
On the heels of all this talk of colons, Emdashes solicits open letters to punctuation marks.
●
●
New Chabon Story
Recommended reading: A new short story from Michael Chabon is now available from Tablet.
●
●
First Look at Gone Girl
Amy barely speaks in the trailer for Gone Girl, but she is present in almost every frame. The first look at David Fincher's adaptation features a creepy cover of "She" and a harried Ben Affleck as he goes from bereaved husband to suspect. The film will be in theaters on October 3, but until then, read our conversation about Gillian Flynn.
●
●
Glamour’s Page 194 Girl
At Glamour's blog, the fashion magazine shot heard round the world: a nude photo of a girl who--gasp!--wears a size 12 and doesn't have a six-pack. And, she looks happy. Apparently, this is what readers of fashion magazines have been waiting for.
●
●
●
●
Techrification
“Another friend of mine told me a story about the Apple bus from when he worked for Apple Inc. Once a driver went rogue, dropping off the majority of his passengers as intended at the main Apple campus, and then rolling on towards San Jose instead of stopping at the satellite location, but the passengers were tech people, so withdrawn from direct, abrupt, interventionary communications that they just sat there as he drove many miles past their worksite and eventually dumped them on the street in a slum south of the new power centre of the world.” In the London Review of Books, a native of San Fran laments her tech-drunk city.
Lessons for the Publishing Industry?
Eric Harvey presents The Social History of the MP3 at Pitchfork: "So omnipresent have these discussions become, in fact, that it's possible the past 10 years could become the first decade of pop music to be remembered by history for its musical technology rather than the actual music itself."
●
●