“To be awake was a thing many had dreamed of, while continuing to sleep for years, like the famous princess in her coffin of glass. Once I opened a Chinese fortune cookie that said, Some will attain their heart’s desire, alas.” Revisiting this fantastic Anne Carson poem, “The Day Antonioni Came to the Asylum (Rhapsody),” over at The Paris Review. Carson’s newest, Float, is due out in a couple of months.
“Inspired by her governess, the radical feminist philosopher Mary Wollstonecraft, Margaret King cast aside her immense privilege, cross-dressed as a man to go to medical school, and inspired a new generation of women to push against the rigid conventions of their era.” Meet Margaret King at Longreads.
Okay, so earlier this week I mentioned Emily Nussbaum‘s excellent profile of Lena Dunham for New York Magazine. Now Lorrie Moore‘s written one too, for The New Yorker blog. The short piece, as you might imagine, is a near perfect meeting of author and subject; who could be better at writing about Girls?
Blackout, the recent memoir by Sarah Hepola, chronicles the author’s long struggle with reckless drinking. The title references the total loss of memory she experienced after some of her worst benders. At The Morning News, Rosecrans Baldwin talks with Hepola about her book, amnesia and the nature of memory.
The semiotics-department backdrop to Jeffrey Eugenides’s new novel, The Marriage Plot, seems to have sparked a new mode of confessional writing. But Theorists are so seductive because they are, themselves, essentially literary.