Sam Tanenhaus asks, What do this season’s political books tell us about the election? As he puts it, “Election-year analyses always seem to arrive too late or too soon. They are useful nonetheless. The mistakes and misapprehensions — what the authors thought they knew — mirror the broader thinking of their moment.” Pair with this Millions essay on politics and excessive language.
“The presentation of himself as a damaged outsider, barely holding on, ups the dramatic ante, though it does seem at odds with the accomplished, balanced, commanding prose he appears able to muster with every sentence — not to mention his prestigious awards and teaching stints.” On Charles D’Ambrosio’s Loitering.
Masha Gessen has been busy of late. Within months of publishing her investigative look at the charges for Russian punk band, Pussy Riot, Gessen has also co-edited a book entitled Gay Propaganda: Russian Love Stories. Over at The Independent, you can check out a review of the two projects, and over at Guernica, you can read an interview in which Gessen discusses both works.
Karen Russell is everywhere these days. She’s sharing her favorite books about Florida with The New York Times, she’s being interviewed about her writing process on our site, and she’s publishing short fiction for Electric Literature’s Recommended Reading blog. Oh, and she has a new book out, too, as you might have heard.
“Keep a close eye on your Twitter account. Important things may be said there that you will be expected to weigh in on, and if you don’t, everyone will wonder if you fell asleep in the bathroom stall of the bar last night and are still there, head sunken low next to the toilet, one lost contact lens embedded somewhere in the floor grime. Make sure they know you’re not; that was the you of 100 million years ago.” Jen Doll on writing and not-writing.
David Fincher, who helmed the American cinematic adaptation of The Girl with the Dragon Tattoo, may join the team working on the film for Gillian Flynn’s Gone Girl. Flynn herself penned the first draft of the screenplay. As you wait (im)patiently for the project to get underway, you can take our own Michael Bourne’s advice and treat yourself to Flynn’s earlier books.