Recommended Reading: Tabitha Blankenbiller responds to The New York Times’ piece on Manly Book Clubs. “Reading the article yet again, my pity for this dude squad begins to blossom. To think that they will head into the ground without the words of Terry Tempest Williams or Lidia Yuknavitch or Sandra Cisneros in their hearts.” For a bit of humor about a manly book club, check out our rock ‘n’ roll book club.
“Over the course of our conversation, I’ve come to understand that he has not written (Thomas Jefferson Dreams of Sally Hemings) to provoke or to engender a self-serving sense of shock; he has written with a belief in the possibilities of liminal space and in the revelations that occur at the point of tension. The result is a book that jars, unequivocally, and that disquietingly brings to the surface the anguish of past and present America.” Stephen O’Connor’s poetic reimagining of the relationship between Thomas Jefferson and the enslaved Sally Hemings has certainly raised some eyebrows. This interview with Melody Nixon at BOMB gives O’Connor a platform from which to explain his idea.
Even though James McBride (new National Book Award winner for The Good Lord Bird) is an accomplished jazz musician, he doesn’t listen to any music while writing. “Because I’m a musician, listening to music is…it’s a bit like work for me,” he told The Daily Beast for the “How I Write” series.
Is long form nonfiction returning to prominence and popularity? Folks at The LA Times‘ blog think so. Anna Clark has posted a list of recommended reading for aspiring nonfiction writers, too.