Recommended Reading: On the literary tradition of objectifying and consuming women’s corpses.
“Shelley once called poets the ‘unacknowledged legislators of the world,'” but has the social role of poetry changed since Shelley’s time?
Out this week: Flâneuse by Lauren Elkin; Abandon Me by Melissa Febos; Lower Ed by Tressie McMillan Cottom; Parable of the Sower by Octavia Butler; No Other World by Rahul Mehta; Harmless Like You by Rowan Hisayo Buchanan; and To Be a Machine by our own Mark O’Connell (who we interviewed recently). For more on these and other new titles, go read our most recent book preview.
The latest installment of #LitBeat involves musings on puritanical projection, the phrases “ass-banging” and “mucus flaps” and a least one instance of the word “boner.” Our correspondent was there for The New Inquiry read along of Millions contributor Mike Thomsen’s new book, Levitate the Primate: Handjobs, Internet Dating, and Other Issues for Men.
“Some psychiatrists say that music has therapeutic powers and can even restore fluidity and mental structure for a moment in some patients – music is the opposite of chaos. It may be that heavy metal, the music his parents blamed in part for this entire catastrophe, is the only thing that gives order to my cousin’s worn-out brain. No one knows, except him.” On trying to seek refuge from schizophrenia in heavy metal.
Looking for a New England writer’s retreat? Perhaps you could stay in T. S. Eliot‘s childhood summer home.
“This is a story about a woman who was erased from her job as the editor of the most famous literary magazine in America.” For Longreads, A.N. Devers writes about Brigid Hughes, the second editor of The Paris Review, who has been all but scrubbed from the magazine’s history. See also: Dever’s 2011 Year in Reading entry.