“Part of what I realize now I was doing in Proxies was to integrate the incongruous aspects of my self: the child of the truck driver and Primitive Baptist self, the queer intellectual poet self, the professor without an office self, the prizewinner who was ‘midcareer’ before he was ’emerging,’ the middle-aged man at the entry-level rungs of the gig economy.” Go check out this interview with Brian Blanchfield over at The Rumpus. This is the second Blanchfield interview we’ve told you about, both worth taking a look.
Another Dossier
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Amazon Plans for Zombies
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Either/Or
“An artist you love occupies a weird in-between place, where they’re somehow a little more than a father, but a little less than a neighbour. They can permanently re-organize your consciousness but they can’t sell you a Coke. You feel you know them more than anyone you actually know, which means that you don’t really know a damn thing. I feel I know Elliott Smith, but if I picture him in front of me, I find myself picturing a tiny figurine, or Mount Rushmore.” Sasha Chapin has written an intensely personal essay about Elliott Smith for Hazlitt. Here is The Millions' own Torch Ballads & Jukebox Music column to satisfy any lingering musical urges.
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A Liquid State
“Thus it is our [feminists’] historical task ... to define what we call oppression in materialist terms, to make it evident that women are a class, which is to say that the category ‘woman’ as well as the category ‘man’ are political and economic categories, not eternal ones.” This essay in remembrance of Alexis Arquette touches on everything from VIP guest lists to feminist theorist Monique Wittig.
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Lolita, in the Margins
When Vladimir Nabokov developed a screen adaptation for Lolita, his director Stanley Kubrick declared it the "best ever written in Hollywood"--meaning, it seems, most gorgeously novelistic, evocative, readable. Here's a short excerpt of his screenplay with original margin notes.
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From the Frozen North
Recommended Reading: “Out in the Great Alone,” Brian Phillips’s epic report from the Iditarod Trail Sled Dog Race.
“The reader emerges … refreshed but crippled”
Emily Gould champions Barbara Comyns's overlooked novels at The Awl. One more deserving mention: Comyns's haunting Who Was Changed and Who Was Dead.
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