“Part of what I realize now I was doing in Proxies was to integrate the incongruous aspects of my self: the child of the truck driver and Primitive Baptist self, the queer intellectual poet self, the professor without an office self, the prizewinner who was ‘midcareer’ before he was ’emerging,’ the middle-aged man at the entry-level rungs of the gig economy.” Go check out this interview with Brian Blanchfield over at The Rumpus. This is the second Blanchfield interview we’ve told you about, both worth taking a look.
“You’d be hard-pressed to find a book that was at once so bold in style and ambitious in structure and so much fun to read.” The Guardian asks indie publishers about the books that made their year, including Sudden Death by Álvaro Enrigue (whose own Year in Reading you can find here).
“I feel very transparent to myself. I’m more like an observer. I’m interested in what’s going on. I’m not sure that I really have a personality,” Joyce Carol Oates said in The New Yorker’s micro documentary about her writing life and routine. Pair with: our essay on Oates’ The Accursed.
Girls creator Lena Dunham’s first book is on shelves, as is the new short story collection by Man Booker laureate and recent Millions interviewee Hilary Mantel. Also out: On Immunity by Eula Biss; A Sudden Light by Garth Stein; Consumed by the filmmaker David Cronenberg; The Ploughmen by Kim Zupan; and The Zone of Interest by Martin Amis. For more on these and other titles, check out our Great 2014 Book Preview.
Since 2010, Russian publishing professionals estimate that “as many as 20% of [all] Russian book stores have closed.” Each year, they fear, the number of “dedicated readers in Russia declines by 2%.” To remedy these trends, the Russian government has recently approved a $100 million stimulus package for the nation’s book industry – running the gamut from investment in new bookstores, to tax incentives for small presses, and also to more international book fairs – to be dispersed through 2018. Recently, Emily Parker noted in The New York Times that Russia’s literary problems might be blamed on its lack of “good protest literature.”
John Warner is today reprising his popular book-recommending engine (i.e. his brain), that he unveiled to great effect during the Tournament of Books earlier this year.
“Her storytelling is magical and profound, creating connectivity between people and places: a signal of hope at a particularly divided moment in time.” Joining the company of Margaret Atwood, David Mitchell, and Sjón, Turkish novelist Elif Şafak has been chosen as the fourth contributor for The Future Library Project. Şafak’s novel, Three Daughters of Eve, was featured in the second-half of our 2017 Great Book Preview.