“Part of what I realize now I was doing in Proxies was to integrate the incongruous aspects of my self: the child of the truck driver and Primitive Baptist self, the queer intellectual poet self, the professor without an office self, the prizewinner who was ‘midcareer’ before he was ’emerging,’ the middle-aged man at the entry-level rungs of the gig economy.” Go check out this interview with Brian Blanchfield over at The Rumpus. This is the second Blanchfield interview we’ve told you about, both worth taking a look.
Alexandra Alter interviews National Book Award winner Ta-Nehisi Coates about the success of Between the World and Me. As he puts it, “The best part of writing is really to educate yourself. I don’t want to be anybody’s expert. I came in to learn.” Pair with our own Sonya Chung’s Millions piece on Coates’s epistolary essay.
“Usually, with a novel, you start with no idea what to do because your job is to create convincing characters and then they just run around getting crazy. The problem with writing a memoir, obviously, is you can’t do that because you sort of know what’s going to happen. Because you’re the character.” – Gary Shteyngart
Try to define the word “poetry” and you’ll quickly find yourself in a maze of contradictions. It refers, most obviously, to printed verse, but it can also refer to especially lyrical prose, among other things. At The Paris Review Daily, Damian Searls uses etymology to get some answers. Related: Kate Angus on loving poetry but not poetry books.