“Part of what I realize now I was doing in Proxies was to integrate the incongruous aspects of my self: the child of the truck driver and Primitive Baptist self, the queer intellectual poet self, the professor without an office self, the prizewinner who was ‘midcareer’ before he was ’emerging,’ the middle-aged man at the entry-level rungs of the gig economy.” Go check out this interview with Brian Blanchfield over at The Rumpus. This is the second Blanchfield interview we’ve told you about, both worth taking a look.
Another Dossier
An American Writer
“And now An American Marriage, with its ruminations on masculinity, married life, and what constitutes marital debt, manages the trick of arriving at the right time while also feeling utterly untethered to just one era.” BuzzFeed News profiled writer Tayari Jones about her life, oeuvre, and fourth novel, An American Marriage. Pair with: Jones’s 2017 Year in Reading entry.
Feeling Very Still
Can you hear me, Major Tom? The world lost one of the good ones today in David Bowie; celebrate his enormous contributions to art as we know it and take a look at this list of Bowie’s 100 essential books which includes everyone from Camille Paglia to Anthony Burgess. Bonus: here’s a link to Bowie singing “Changes” in what became his final live performance.
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Another Self-Publishing Triumph
Self-published novelist Kemble Scott debuts at no. 5 on the San Francisco Chronicle’s bestseller list with The Sower, following a limited hard-cover release to Bay Area independent booksellers by Numina Press, who acquired the book after Scott’s initial e-book upload to scribd.com in May. According to Publisher’s Weekly, “The Sower has had one of the most unorthodox publishing trajectories in these changing publishing times.”
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The Masters Review Submissions are Open
Submissions have opened for The Masters Review. Ten short stories written by emerging writers will be published in their latest anthology. Amy Hempel will judge the submissions, and the winners will receive a total of $5,000.
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What We Owe
Recommended reading: In a piece for the LA Times David Ulin ponders the ethics of writing. “What do we owe our subjects? Do we have the right to tell their stories at all?”
The Same Grace
“I do not wish to presume. I want to love. Oh God please make my mind clear.” It’s no secret that Flannery O’Connor was both an incredible writer and a devout Catholic. The New Yorker has just published a few excerpts from her Prayer Journal which are characteristically beautiful whether or not you’re a believer.
Can Cash Money be Caro’s Next Project?
Eric Brightwell has written a great primer on “the independent years” of Cash Money Records (ca. 1991-1998). Now that the outfit has its own publishing arm, Cash Money Content, I suggest you brush up.