“As for the charge that [Constance] Garnett writes in an outdated language, yes, here and there she uses words and phrases that no one uses today, but not many of them. We find the same sprinkling of outdated words and phrases in the novels of Trollope and Dickens and George Eliot. Should they, too, be rewritten for modern sensibilities? (Would u really want that?)” It’s shaping up to be a day of passionate defenses. Writing for the New York Review of Books, Janet Malcom urges readers to put down their Pevear/Volokhonsky translations of Russian classics and pick Constance Garnett’s back up again.
"America has always been built—and continues to be built—by those the establishment keeps invisible." Public Books runs the sixth installment of its "An Engineer Reads a Novel" series, this time taking on Colson Whitehead's Underground Railroad and John Henry Days. We also recently reviewed the former, which has been blessed by both Oprah Winfrey and President Obama.
“Well, is ‘addiction’ what a literary writer should want in readers? And if a writer accepts such addiction, or even rejoices in it, as Murakami seems to, doesn’t it put pressure on him, as pusher, to offer more of the same?” Tim Parks writes for the NYRB about writers who keep producing more of the same to please hungry readers.