Year in Reading alumnus Alexandre Chee writes about the courage of being queer. As he puts it, “I am sure the 49 patrons who died at Pulse that night didn’t necessarily think of themselves as brave for being there. But they were.” Pair with Claire Cameron’s Millions interview with the author.
An Act of Courage
Nit-Pick
Why does the new Liam Neeson film use a hyphen in its title? According to AP Style, “nonstop” is one word, yet the film is marketed stateside with a hyphen stuck in the middle. At Slate, L.V. Anderson looks into a typographic mystery.
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Our Stonecutters
Do yourself a favor and pick up a copy of Stonecutter. In the most recent issue, you’ll find our own Lydia Kiesling’s essay on cigarettes and literature; in Issue #2, you’ll find Mark O’Connell discussing Roberto Bolaño’s Between Parentheses. You read that correctly: 50% of all Stonecutter issues feature Millions staffers.
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The Grind
It’s a source of hair-pulling anxiety for artists of all kinds: how can you hold down a day job yet commit yourself to your art? It’s undoubtedly possible, but it’s daunting enough that apprentice writers often need advice on how to do it. Herewith, six artists (including writers Catherine Lacey and Shane Jones) explain how they pull it off. Related: Cathy Day on making a living as a writer.
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Burning Libraries
An arsonist broke into the University of Missouri’s Ellis Library, but Robert Long Foreman‘s dismayed for more than that reason.
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An Autocrat’s Guide to World Cup Qualification
Recommended reading: What do you get the guy you can’t get anything else–the one with his own oil-rich country–like the Emir of Qatar? The LA Review recommends starting with the World Cup.
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