Writers John Keene, Dawn Martin Lundy, and others respond to the mass shooting in Orlando. “Homophobia, transphobia, and ideologically-nurtured hatreds of all kinds, coupled with semi-automatic weapons, provide the fuel for terror, in this case literally,” says Keene.
“The last line of Saul Bellow’s ‘A Single Dish’ is nothing like poetry. I can’t tell you what any single one of those words means. Imagine you’re a lexicographer and you have to define the word that, or how. And on top of this, there’s none of Bellow’s typical play with rhythm and language—it’s almost a non-sentence. And yet, when I get to it in the story, I weep.” Ethan Canin at The Atlantic on how Saul Bellow packs so much emotion into a single sentence. Here are a couple Bellow-related Millions links for your perusing pleasure.
So does literature really have the power to bring liberals and conservatives together? Probably not. Either way, this is still a fascinating study: “The ‘most startling result was this: it was conservative — not liberal — readers who are most active in producing this space of cultural compromise.’ Basically, within this sample size, conservative readers tended to exude more generous praise for ‘bridge books’ and did so with a vernacular considered to be ‘less heated or emotional.’ Grammatically, they also expressed ‘more complex thoughts.'”