Writers John Keene, Dawn Martin Lundy, and others respond to the mass shooting in Orlando. “Homophobia, transphobia, and ideologically-nurtured hatreds of all kinds, coupled with semi-automatic weapons, provide the fuel for terror, in this case literally,” says Keene.
“Marta Reale, 10, her smile broad, her bangs blanched, made her way to a recreation center’s doorway through the dense crowd of other children, sunlit cigarette smoke and mothers fanning themselves on the seats of scooters. Above her, more children were hanging out the window, and above them, more were crammed onto a balcony.” Jason Horowitz files from Naples, Italy for The New York Times about a casting call for HBO’s upcoming adaptation of Elena Ferrante‘s My Brilliant Friend, noting that it “has already drawn 5,000 children, the vast majority of whom have never heard of Elena Ferrante, and injected a mix of hysteria and hope into parts of Naples that are poor in resources but rich in real characters.” Pair with this piece about The Neapolitan Quartet‘s scope and impact.
Recommended reading: “What is Color in Poetry” by Dorothea Lasky for Poetry. It’s a lengthy article but a thoughtful one, and, as a bonus, it includes some of Lasky’s childhood poetry. Pair with our earlier post about reading teenage poetry to crowds and you’ve got a theme for the day.
Finland will pay tribute to author and artist Tove Jansson by adding her likeness to a new two-Euro commemorative coin. This isn’t the first time a country’s wanted to add an author to their currency. (Related: Alex Ohlin looks at the “sad, strange brilliance” of Moomin; and Jansson’s works are recommended by Emily St. John Mandel and Rachel Meier.)
Interested in writing a bestseller? You may want to check out Jodie Archer and Matthew L. Jockers‘ newest book, The Bestseller Code. Or maybe not: “At times, it seems like Archer and Jockers are trying to retrofit a closed system. They found that best-sellers have lots of contractions—the better, they explain, to mimic contemporary speech—and exclamation points only rarely … They conclude that best-sellers consist of ‘shorter, cleaner sentences, without unneeded words,’ and that best-selling characters ‘make things happen.’ Active verbs predict best-sellers better than passive verbs. ‘Hesitation doesn’t keep pages turning,’ Archer and Jockers decide. After all that work, in other words, the algorithm ends up confirming the uncontested tenets of craft and style.”
“I couldn’t tell if a poem I was writing would come to anything or not until the last line was there. That’s always been my method. I may have revised less than some other poets, but I think I write as much crap as anyone.” Kaveh Akbar interviews Sharon Olds about inspiration, contemporary poetry, and rejection letters for Divedapper. Pair with this Millions piece, featuring seven editors looking back on their rejection styles.