Writers John Keene, Dawn Martin Lundy, and others respond to the mass shooting in Orlando. “Homophobia, transphobia, and ideologically-nurtured hatreds of all kinds, coupled with semi-automatic weapons, provide the fuel for terror, in this case literally,” says Keene.
Allies Respond
Reviews for the King
Some reviews of Dave Eggers’s new novel, Hologram for the King, are starting to appear: Carolyn Kellogg writes that the story is accessibly though “elegantly told,” and Michiko Kakutani describes the prose as almost surprisingly “pared down” and “Hemingwayesque.”
NoViolet Bulawayo on Sitting With Her Personal Ghosts
NoViolet Bulawayo discusses her new novel, Glory, a post-colonial fable about power, history, and the circular nature of both.
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“Speaking of Memory”
In an essay for the Los Angeles Review of Books, Peter Birkenhead goes back to Nabokov‘s Speak, Memory and considers “the way our memories tell themselves to us: in hints, collisions, and rushes, overlapping, upside down, out of order.” Pair with our own Garth Risk Hallberg‘s piece on reading Ada, or Ardor.
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Mass(ive) Effect
What effect, if any, are video games having on literature? Tobias Carroll at Hazlitt explores the surprising liminal space between video game narratives and literary fiction. This essay from The Millions is a nice complement.
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Tuesday New Release Day
The big debut this week is Imperial Bedrooms by Bret Easton Ellis. Also of interest is a new collection of essays by Sloane Crosley, How Did You Get This Number. The much delayed U.S. edition of a controversial 2009 Booker longlister, Ed O’Loughlin’s Not Untrue and Not Unkind, is now out. As is this intriguing curiosity: Peacock and the Buffalo: The Poetry of Nietzsche, which purports to be the “first complete English translation of Nietzsche’s poetry.”
By “literally” Keene means “figuratively”, or “the opposite of literally”, of course.