Over at Hyperallergic, art, activism, and literature collide in When We Fight, We Win!: Twenty-First-Century Social Movements and the Activists That Are Transforming Our World by Greg Jobin-Leeds and AgitArte. Pair with our own Bill Morris’s review of The Black Power Mixtape 1967-1975.
Activist Art
Man’s Best Friend Is Racist
“‘Oh,’ she said, ‘a lot of dogs don’t like black people but they’re fine with everyone else.’ … Was this just a workplace microaggression, or are these dogs actually racist? I found myself grappling with the idea that not only do actual humans hate me for being black; dogs could also hate me for reasons that are out of my control.” Kelly Mays McDonald on how we have weaponized dogs in The Awl.
Harvard University Press’s Redistribution of Wealth
Flushed with cash after the runaway success of Thomas Piketty’s Capital in the Twenty-First Century, the Harvard University Press has decided to offer a 20% discount off two dozen works on capitalism and its discontents. Get to it while the gettin’s good.
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Adapted for Screen
Bad Sex Awards 2012
Tom Wolfe has a chance to defend (er, ward off?) his 2004 “Bad Sex Award” following Literary Review‘s decision to nominate him for this year’s top honors (er, dishonors?). The UK publication has tapped Back to Blood and seven others for this year’s shortlist — and, despite popular demand, they managed to spare J.K. Rowling’s The Casual Vacancy. For some revealing passages from Wolfe’s book, check out my review.
Bradbury’s Legacy
As Ray Bradbury’s 90th birthday approaches, Slate explores why his stories have seeped into the culture.
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