Rejection is a part of growth. Kim Liao argues why writers should aim for one hundred rejections a year. To prepare for your one hundred rejections, let literary magazine editors tell you their thoughts on rejection letters.
Accepting Rejection
“Happy memories pass in slow procession over the soul”
Eldritch Press, which has a whole slew of free books available online, has just added the Constance Garnett translation of Ivan Turgenev’s A Hunter’s Sketches. Happy reading, everybody.
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dear Danez Smith
“But poems are not poems if they make people feel dead. I want people to feel alive – even if it is alive with grief.” The Guardian profiles poet Danez Smith about poetry; race, gender, and queerness; and their poetry collection, Don’t Call Us Dead (a finalist for the National Book Award). Pair with: an essay on writing that gives shape and depth to victims of criminal injustice.
Lispector Inspector
The new issue of The New York Review of Books is out. A highlight, as usual, is Michael Wood, who does a better job than we did with Inherent Vice. But those of us on this side of the pay wall will have to make do with Lorrie Moore‘s intriguing essay on Clarice Lispector.
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Monday Links
On this sad aniversary, the Pioneer Press provides a small selection of 9/11 books and movies.Ed does a great job reviewing Haruki Murakami’s new collection Blind Willow, Sleeping Woman in the Philadelphia Inquirer. Kudos to him for penning a thoughtful and thorough review.The AP writes up a new video game based on the Christian apocolyptic Left Behind series of books. The novels have sold more than 63 million copies according to the story.This made me a little queasy: A teacher in Hurst, Texas has ignited an interest in reading among her students by having them all read a book together… James Patterson’s young adult thriller Maximum Ride: The Angel Experiment. Whatever it takes, I suppose.
What He Showed
“Thinking about his films while watching an American film leads to a sobering realization: all the things that Abbas Kiarostami could not show in his films became the only things Hollywood filmmakers chose to show in theirs. What he showed in his films were the things abandoned by Hollywood: conversation, friendship, understanding, compassion, and empathy.” A. S. Hamrah discusses Abbas Kiarostami’s legacy at n+1.
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