Why do many writers choose to start literary magazines when there are thousands of magazines already out there? Ian Denning writes for Ploughshares on the urge to foster one’s writing community. Pair with this Millions essay on literary magazines and remuneration.
“The contradictions of [Madeleine] L’Engle’s life offer the best insights into the complicated acrobatics we perform in the modern world in order to satisfy the competing claims of love, family, success, and ambition….While the person that emerges could be tiresome, didactic, and just plain weird—why is everyone always breaking into a hymn at her house?—she could also be tender and offered real insights into the difficulties of growing up.” There’s a new biography of the A Wrinkle In Time author out, and The New Republic examines her life’s many complexities and, well, wrinkles.
Today in book-related graphics: The Arts Shelf has created an infographic measuring famous literature by word count, and The New York Times provides a handy, illustrated guide to any writers’ retreat, complete with authors’ cloisters and an “emergency idea generator.”
Granta talks to some translators of Russian literature about what they’re working on, and we learn that Richard Pevear and Larissa Volokhonsky, the first couple of Russian translation are working on a 600-page collection of stories by Nikolai Leskov, an underappreciated contemporary of Dostoevsky. Previously: The Millions interviews P&V.
Recommended reading: “What is Color in Poetry” by Dorothea Lasky for Poetry. It’s a lengthy article but a thoughtful one, and, as a bonus, it includes some of Lasky’s childhood poetry. Pair with our earlier post about reading teenage poetry to crowds and you’ve got a theme for the day.