“On closer inspection, however, the book comes off as something more complicated than a flowering of one eccentric and filthy man’s erotic imagination. Its elaborate descriptions of pleasure given and taken start to seem like scrims for a moral argument about what sorts of sexual behaviors should be ‘forbid’ and which should be encouraged—an argument refined in prison by an author deeply occupied with thoughts of punishment, dissipation, and sin.” On John Cleland’s (very erotic) novel Fanny Hill and the importance of its having been written in prison.
What Should Be ‘Forbid’
Sounds Dear
The Guardian posted a short story from Alice Munro’s new collection.
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Custodian of Forgotten Books
Recommended Reading: On Brad Bigelow, a “Custodian of Forgotten Books.” Our own Claire Cameron traces the history of John Williams’s Stoner, which was first published in 1965 and became a bestseller in the Netherlands in 2013.
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The Winds of Winter Excerpt
“Somewhere off in the far distance, a dying man was screaming for his mother.” Entertainment Weekly has the first paragraph of the next installment of George R.R. Martin’s A Song of Ice and Fire.
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Letter from Scott Turow
Anyone who cares about the financial viability of the book business should read Author’s Guild President Scott Turow’s open letter on the implications of the government’s threatened anti-trust suit against major publishers and Apple over alleged collusion in e-book pricing.
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The Paris Review Redux
“I hope they also love that experience of surprise and delight and really engaging stories in the fiction sense, but also in the writers at work sense and in the poetic sense.” A Vanity Fair interview with Emily Nemens, The Paris Review’s new editor. And here’s a list of 20 reasons you should absolutely be reading literary magazines.
Praise the Man
“Finally, without my wife, who served as editor, research assistant, and soul mate, this project could never have been finished.” On gendered expectations and book acknowledgments.
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“I’ve escorted two e-partners to the edge of the grave”
Pulitzer winner Tony Horwitz describes – in incredibly depressing fashion – his experience publishing Boom, a digital short representing his first foray into “the brave new world” of digital publishing. Two takeaways for aspiring writers that are not explicitly mentioned, however: don’t write without a contract, and be sure to use an agent from the get-go.