Look back on an article Virginia Woolf wrote for Vogue in 1924. Staff writer emeritus Emily Colette Wilkinson tackles Woolf’s difficult text, To the Lighthouse.
Virginia in Vogue
New from Alexandra Fuller
Don't Let's Go to the Dogs Tonight author Alexandra Fuller has a new memoir out in a shorter ebook format, Falling: The Story of a Marriage
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A Big New Release Tuesday
Lots of anticipated books hitting shelves today. At the top of the list is Michael Lewis's look at the recent financial calamity, The Big Short. Also new today, Chang Rae Lee's The Surrendered, Ron Rash's story collection Burning Bright, Lionel Shriver's So Much for That, and James Hynes' Next, about which we have noted some intriguing Twitter buzz. New in paperback are Victor LaValle's The Big Machine and Dave Eggers' The Wild Things.
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Oh Nothing, Just Drawing Vampires
Yesterday was Bram Stoker’s birthday, a milestone which didn’t go unrecognized by the mischievous doodlers at Google. Over at Galleycat, a list of his books you can download for free on your e-reader.
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For the Sake of Cohesion
“Setting is often the last piece of the jigsaw. I start somewhere else—with a kind of a premise, a set of relationships, a theme—and I often have a long period when I can’t figure out where the story should be put down. I find myself going location hunting. Not just for a time and place, but also for a genre, if you like.” Kazuo Ishiguro on the Hazlitt podcast. For more things Ishiguro, here is our own Lydia Kiesling’s review of Ishiguro’s latest novel, The Buried Giant.
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The Inmates Have Taken Over
“Summer morning is risen / and to even it wends / and still I’m in prison / without any friends.” Start your Monday off right with this piece from The Paris Review on John Clare, Christopher Smart, and the poetry of the asylum. Speaking of the madhouse, here’s a piece on Anne Sexton and her book Transformations.
New Stoppard on the Way
A new Tom Stoppard play entitled "The Hard Problem" will open next January at the UK’s Dorfman Theatre. The production will be Stoppard’s first new play since "Rock N’ Roll" in 2006.
Top 3 Reasons Why You Need to Read Mark O’Connell’s Latest
1. The listicle is "the house style of a distracted culture.”
2. Our own Mark O'Connell writes about the ubiquitous form for The New Yorker.
3. And fittingly, he writes about it in a list.
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