Look back on an article Virginia Woolf wrote for Vogue in 1924. Staff writer emeritus Emily Colette Wilkinson tackles Woolf’s difficult text, To the Lighthouse.
Virginia in Vogue
Eric Nguyen Learns to Live with History
Next Stop: The Perfect Book
“I don’t want to settle for distraction; I want to look forward to reading my book with the palpitating excitement of a second date with someone I’ve already fallen for. I want to miss my stop. Ideally, I’ll miss a few.” While it can be easy to spot a beach, airplane, or cabin read, Adam Sternbergh‘s writes about finding the perfect “subway read” for the New York Times. From our archives: our own Nick Ripatrazone‘s essay on reading and writing on trains.
Sigrid Nunez on Rejection and the Writer’s Life
On Board The Pequod
Recommended reading: Ben Shattuck spends a night and a day aboard a New England whaling ship in an attempt to better understand Ishmael’s (and Melville‘s) experiences, and combines Moby-Dick excerpts with his own accounts of life onboard in a piece for The Atlantic.
Tuesday New Release Day: Englander; Sloan; Kassabova; le Carré; Ward
Out this week: Dinner at the Center of the Earth by Nathan Englander; Sourdough by Robin Sloan; Border by Kapka Kassabova; A Legacy of Spies by John le Carré; and Sing, Unburied, Sing by Jesmyn Ward. For more on these and other new titles, go read our most recent book preview.
Charlotte Brontë’s Voice
While writing about Charlotte Brontë’s voice, Bee Wilson pays special attention to the ways the Jane Eyre author “makes a gothic fairy tale about a plain governess so raw and exhilarating.”
Ashbery Goes Digital
“Of all the literary genres, poetry has proved the most resistant to digital technology, not for stodgy cultural reasons but for tricky mechanical ones.” Looks like that might be changing, however, as Open Road releases Flow Chart, Your Name Here and 15 other John Ashbery digital poetry collections.