Look back on an article Virginia Woolf wrote for Vogue in 1924. Staff writer emeritus Emily Colette Wilkinson tackles Woolf’s difficult text, To the Lighthouse.
Virginia in Vogue
Babies Don’t Like Snakes
The Greek gods and goddesses were nothing if not self-serving. From Mallory Ortberg over at The Toast, here is an introduction to Dirtbag Hera. Don’t you worry, Dirtbag Athena got her comeuppance, too.
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Gigantic’s Giants
The latest issue of Gigantic–featuring interviews with Lynne Tillman and Gordon Lish, and fiction by Diane Williams, John Haskell, and Kim Chinquee–lives up to its name in content in spite of its portable (i.e. subway-friendly) size.
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Ciao, Napoli
Elena Ferrante uses a pseudonym. We may not know her given name, but we do know her home city – Naples. Read about realism in her work from Irene Caselli, who also calls Naples home. Want to know more about Ferrante? She does interviews.
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Shelf-Love
Do you want to show off your bookshelf online without typing up a list of your books on Goodreads? Well, you strange exhibitionist, you can do that now with Bookshelfies, a Tumblr featuring pictures of people standing in front of — well, you know.
Why On Earth
“Why on earth would you start a literary magazine?” In an essay for The New Yorker Stephen Burt offers a wide variety of answers, from promoting a new genre to promoting one’s friends. His article pairs well with our own Nick Ripatrazone‘s lit mag question and answer: “What is the wider cultural influence of literary magazines? I am not sure there needs to be one.”
Raise a Glass to That
Pop Chart Lab’s latest creation depicts some of the most famous cocktail-and-character pairings in literature and film. The gamut runs from Daisy Buchanan’s Mint Julep to The Dude’s White Russian. (Of course, the Preakness Stakes are this weekend, so really you should be drinking Black Eyed Susans.)
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Ayobami Adebayo: Rising Star
Ayobami Adebayo is interviewed by Abigail Bereola for Hazlitt and it’s fantastic. They discuss proverbs, romantic love, sickle cell anemia and writing your first book. “At the risk of sounding very narcissistic, I’m going to say I write for myself ultimately. And maybe my sister. I think that when I’m working, it’s very difficult for me to think about an audience, perhaps because sometimes it gets a bit overwhelming. I’m trying to figure out so many things that I really don’t start thinking about the idea that other people might read this thing until, ‘Oh my God, it’s publication day’ and I have a panic attack like ‘Oh my God, what have I done?’ I think the awareness of an audience is something I’m just coming into because this is a first book.”