Year in Reading alumna Patricia Engel writes about the “real” Cuba she encountered in her research trips. Pair with Bill Morris’s Millions essay on Havana’s love for cars.
The Real Cuba
It Spaketh
You might think the signs would be obvious. The buildings are organic, the sky is filled with dragons, and everyone you talk to speaks languages you’ve never heard of. But you may still need some help figuring out your environs. Herewith, a few ways to tell if you’re in a high-fantasy novel.
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Illustrated Whitman
Gavin Aung Than took Walt Whitman’s poem “When I heard the Learn’d Astronomer” and adapted it into illustrated comic book panels. This is the second time Than has illustrated the poet’s work.
Serial
“What the novel needs again is tension. And the best source for that tension is serialization.” An argument for bringing back the serialized novel in the spirit of Dickens, Thackeray and Arthur Conan Doyle from The Washington Post.
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Tonight on 4th Avenue
Tonight at the Pacific Standard Fiction Series in Brooklyn, Lev Grossman, author of The Magicians, will be reading with Hannah Tinti, author of The Good Thief. As usual, I’ll be hosting; it would be great to see you there. For more information, see Time Out New York.
Unorthodox Taxidermy
Fans of Theodore Geisel, a.k.a. Dr. Seuss, often know that he had an earlier career as an ad agency illustrator, but how many of them know he was also an amateur taxidermist? “His father, superintendent of parks in Springfield, Mass., occasionally sent him antlers, bills and horns from deceased zoo animals,” reports NPR, elements that Geisel then integrated into fantastical wall sculptures.
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