Whatever your thoughts about the situation in Ukraine, you’ll feel for Year in Reading alum David Bezmozgis, who’s been writing a novel for the past four years that takes place in Crimea. After nearly a half-decade in which few people he talked to even knew where Crimea was, recent events shone a spotlight on the place, which the author had thought of as “locked in a dismal kleptocratic stasis.” (You could also read our interview with the author.)
If you’ve been on the Internet at any point in the last few weeks, you’re probably aware that Twin Peaks is coming back. The seminal (and seminally weird) show by David Lynch will return for nine episodes in 2016. At The Nervous Breakdown, Joshua Lyons explains what the show meant to him, with the help of visual proof that he copied Bobby Briggs’s hair.
This month, Boost House is publishing what the New Yorker describes as “the first English-language paperbound anthology of Alt Lit and its siblings weird Twitter … and Flarf.” The collection – The YOLO Pages – features work by Steve Roggenbuck, Tao Lin, Patricia Lockwood, and (of course) @Horse_ebooks among others. But far from being a compendium of “vomit jokes and image macros of cats,” writes Kenneth Goldsmith, the book also contains poems “that obliquely grapple with bigger issues of morality, politics, feminism, capitalism, and the environment.”
“[H]is authentic education as a reader began not while he was a history major at N.Y.U. or working at a literary agency in Manhattan but at the Green Haven Correctional Facility, in Stormville, New York. There, he offered, he had read a thousand and forty-six books.” Alex Halberstadt writes about “A Prisoner’s Reading List” for The New Yorker. It’s available online, and soon a lot more New Yorker articles will be too.
During the Cold War, the CIA became entrenched in cultural life through an organization named, ironically enough, the Congress for Cultural Freedom. In order to fight communism, they funded socialist artists. The Awl has compiled a list of literary journals, including the Kenyon Review and The Paris Review, that were once supported by the CIA.