“Every streetlight is a slightly different hue/of white the squares like the blank faces of robots/offer the Hondas and Toyotas idling in the lot something/like hope and yet I am thinking of all of the people on the planes/landing and taking off the twin miracles of arrival and departure/each of them singing ‘Take Me With You’ whether they know/the song or not they are all singing”. A poem written by Dean Rader on the day of Prince’s death.
Taking Off
Founding Father, Remixed
George Washington as you’ve never seen him before: First, a cartoon entitled “Cox and Combs” and second, a live action avant garde take on the founding father.
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Wait, What Was I Writing About?
In a fantastic piece for Full-Stop, Jesse Miller checks out Nicholas Carr (whose book was picked in Jonathan Safran Foer’s Year in Reading), Paul La Farge, David Foster Wallace, and our diminishing ability to concentrate.
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Gone but Not Forgotten
“Their relative obscurity is what makes their fans so passionate — these are voices that never quite found the right audience when they were alive.” Longreads has a reading list of forgotten women writers, including Theresa Hak Kyung Cha, Jessie Redmon Fauset, and Anita Brookner, whom we profiled in our own pages last year.
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Calling All Grammar Nazis
To quote Raymond Chandler: “When I split an infinitive, God damn it, I split it so it will remain split.” Or, dispelling grammar myths, like not ending sentences with prepositions.
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I Leave You My Daffodils
What was it like to grow up with Wordsworth or Coleridge as your dad? Hint: it was weird. (h/t Arts and Letters Daily)
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Scary Stories with Lorrie Moore
Looking for a way to spice up your short story? Add a ghost. “This is going to sound strange, but what your story really needs is a ghost,” Lorrie Moore said in an interview with The New York Times. She discussed her new professorship at Vanderbilt and her new short story collection, Bark, which, yes, does contain a ghost story.
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