Recommended Reading: This essay by Eiren Caffall at The Rumpus on the Dead Dads Club and losing a loved one.
Earlier this week, our own Thomas Beckwith reported on the Hermione/Ron scandal. Now, Mallory Ortberg has penned Ron Weasley’s secret diary at The Toast. “I don’t want to die. I’ve never even seen a movie. Seventeen years old and I’ve never seen a movie and I still don’t know what math is.” No wonder why J.K. Rowling wanted Hermione to end up with Harry.
“Since the middle of the 20th century, the academy has conditioned us to stay grounded within texts and steer clear of writers’ biographies for insights while biographers are often timid about the kind of playful speculation that we can undertake here in Slate. Readers, myself included, tend to wonder about the sources for characters the likes of Kurtz, Sherlock Holmes, and Jay Gatsby—larger-than-life, mysterious, existing on a kind of separate plane—and in doing so we are continuing the quests of the narrators who tried first (Marlow, Watson, and Carraway).” Matthew Pearl asks: was Robert Louis Stevenson the blueprint for Conrad‘s Kurtz?
Last week, JK Rowling announced that, midway through writing the Harry Potter series, she nearly killed off Ron Weasley “out of spite.” Ron isn’t the first supporting character to narrowly avoid death in an author’s rough draft. The Awl illustrates some of literature’s other close calls with death.