The finalists for the 2016 Hugo Awards were announced a few days ago, and it looks like the reactionaries may have struck another blow. A group which calls itself “The Sad Puppies” has been stirring up political controversy at the Hugos for a few years now. Founded in 2013 by writer Larry Correia, who was highly critical of the Hugos for favoring what he believed were “academic” works that allegedly promote “left-leaning messages,” the Puppies have since campaigned vigorously to have writers whose ideologies line up with their own make the final ballot.
Sad, Sad Puppies
“The First Step Into the Wide World”
This is from two years ago, but it’s worth a listen if you missed it the first time: a moving Radiolab podcast on Alzheimer’s, Düsseldorf, and the creative use of bus stops.
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Google Books: Embargo Breaker
At The Washington Post, Craig Fehrman points out that FSG inadvertently broke its own embargo on Jimmy Carter’s White House Diary when a preview of the book showed up on Google Books.
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Pale Fire
You can’t write about Robert Lowell without writing about mental illness — the poet went through many stretches of mania and psychosis in his life. In the Washington Post, Michael Dirda reads a “medico-biography” of Lowell, which takes a full measure of his lifelong illness and its consequences.
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Feels so good being bad
For the last couple days #badwritingtips, a collection of hilarious writing tips to take your novel from typical to terrible, have been trending on twitter. The Guardian rounded up a few of their favorites. Perhaps this advice will help out the unlucky souls retweeted on working on my novel.
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You Tell Me What to Say
“I’m trying to think of something really suitable to say. What do you think I should say? Look, you tell me what to say and I’ll say it.” That was Doris Lessing, who found out she’d won the Nobel Prize from a group of journalists who surrounded her when she was exiting a taxi. NPR has that great audio, plus other reactions of former Nobel literature laureates, including Toni Morrison, William Faulkner, and Mario Vargas Llosa.
Our own fearless editor-in-chief, Lydia Kiesling, admires Lessing, but felt rather differently about reading one of her most famous works, The Golden Notebook: “Among other things, she did an uncanny job of creating a malaise that was actually infectious. It oozed right off the page and into my own spirit.”