“Eventually, the judicial bureaucracy begins to seem almost as destructive as the rapist.” Domenica Ruta writes on Emily Winslow’s Jane Doe January and Joanna Connors’ I Will Find You, two books that probe our culture’s failure to address sexual violence. Pair with a piece on poetry as a response to sexual violence.
Responding to Sexual Violence
Chris Loves Dick
Kathryn Hahn and Kevin Bacon have been cast as Chris and Dick in the television adaptation of Year in Reading alumna Chris Kraus’s beloved book I Love Dick. Pair with this Millions piece on literary magazines in film and TV.
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Melville House withdraws from Amazon’s Best Translated Book Awards
Citing Amazon’s “predatory and thuggish practices,” Melville House has withdrawn from future participation in the Best Translated Book Awards.
Why Read Moby Dick?
Nathaniel Philbrick answers the question Why Read Moby-Dick: “the level of the language is like no other,” but also “it’s as close to being our American Bible as we have.”
Emily Pullen on e-readers
Bookseller and blogger Emily Pullen discusses the e-reading experience in this morning’s Shelf Awareness: “I have noticed that when I read on the device, my attention span is somewhat short. I rarely read for more than an hour–usually about 20 minutes. It’s not because it is uncomfortable for my eyes or my hands. Instead I just don’t get as immersed.”
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From Day Job to Night Job
“The idea came to Mr. Mallory one night as he sat on his couch watching an old favorite, Hitchcock’s Rear Window. Out of the corner of his eye, he noticed a lamp switch on in the apartment across the street.” Published under a pseudonym, former executive editor Daniel Mallory‘s debut novel The Woman in the Window was acquired and published by his own imprint. Pair with: an essay about the emergence of “reimagined thrillers” that create characters out of setting.