“Eventually, the judicial bureaucracy begins to seem almost as destructive as the rapist.” Domenica Ruta writes on Emily Winslow’s Jane Doe January and Joanna Connors’ I Will Find You, two books that probe our culture’s failure to address sexual violence. Pair with a piece on poetry as a response to sexual violence.
Nollywood is the name given to Nigeria's $500 million movie business. For about the same amount of money that was spent on the promotion and production of James Cameron's Avatar, Nollywood is able to churn out a thousand films each year, trailing only Bollywood and Hollywood in terms of revenue.
Charles D'Ambrosio's Loitering has officially made it into our Hall of Fame. It was also a finalist for the PEN award for the Art of the Essay. Now the book's preface is available on the PEN website, just in case all the book's popularity and prizes haven't yet convinced you to read it.
"Legal writing, save for the prose of a precious few lawyers and judges, has rarely contributed to the literary enterprise. Yet there are times when legal proceedings have helped the public at large to reconsider the experience of reading in commercial, emotional, and intellectual terms." Ian Crouch on the odd experience of reading the statements of Lance Armstrong.
"For example, I don’t feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward." The Paris Review offers a manuscript page from playwright Edward Albee, who died this past weekend. See also: this amazing piece of lore behind the titling of Who's Afraid of Virginia Woolf.
Has Joan Didion become "the Ultimate Literary Celebrity"? In an article for the New Republic Laura Marsh says "yes," and then explains how that happened. Marsh's efforts pair well with Franklin Strong's recent Millions essay on "The Manliness of Joan Didion," Joan Didion being a literary figure who easily adapts to any description.