Frederick Tuten recalls the first fan letter he ever wrote to novelist Jenny Diski in his 1999 interview with the author for BOMB Magazine.
Remembering Jenny Diski
Tweet Like a Fiend
“Keep a close eye on your Twitter account. Important things may be said there that you will be expected to weigh in on, and if you don’t, everyone will wonder if you fell asleep in the bathroom stall of the bar last night and are still there, head sunken low next to the toilet, one lost contact lens embedded somewhere in the floor grime. Make sure they know you’re not; that was the you of 100 million years ago.” Jen Doll on writing and not-writing.
●
●
Millions Staffer Hallberg’s Big Novel, Coming Soon
Congratulations to our longtime staff writer and contributing editor Garth Risk Hallberg, whose large first novel, City on Fire, will be published by Alfred A. Knopf.
●
●
Remember This?
Before his death of natural causes in 2008, Henry Gustave Molaison had the world’s most famous brain. At 27, Molaison permanently lost the ability to form new memories, which led to him spending the rest of his life in “thirty-second loops of awareness.” In the LRB, Mike Jay reviews a new book on Molaison, Permanent Present Tense.
●
●
Littérature Québécois
Translator Peter McCambridge has recently launched Québec Reads, a webzine focused on reviews and excerpts of contemporary Québec fiction. (Bonus: our own Michael Bourne provides a “Beginner’s Guide to Canadian Lit.”)
●
●
The Dungeon Master’s Workshop
Junot Diaz, author of Pulitzer-winning The Brief Wondrous Life of Oscar Wao, started his auspicious career in the most unlikely of imaginary places: crafting stories for his friends in the tabletop roleplay game Dungeons & Dragons.
●
●
On the Stupidity of Entitlement
Year in Reading alumna Ottessa Moshfegh has a new story in this week’s issue of the New Yorker, titled “The Beach Boy.” Moshfegh also spoke with Deborah Treisman about her writing: “Isn’t it hilarious when people are blind to their own arrogance? For some, no amount of American liberal-arts education, charitable contributions, or hours spent listening to NPR will ever wake them up to their own privileged, bigoted, and classist attitudes. […] One might say that New Yorkers like the folks in ‘The Beach Boy’ are especially susceptible to the kind of stupidity I love to write about—the stupidity of entitlement.”