Recommended Reading: On the literary tradition of the allegory and what it means for modern storytelling. Staff writer emeritus Emily Colette Wilkinson writes on The Dark Knight as political allegory.
In The New York Times Magazine, Heather Havrilesky cautions against “The Divorce Delusion,” or one of modern drama’s most unrealistic tropes. “Infidelity, a love child (or two), dalliances with prostitutes, lewd online behavior; we’ve watched so many spouses bounce back from hell,” she writes, “that maybe we’re beginning to believe that there’s no trauma so great that it can’t be quickly metabolized into a courageous determination to sally forth against the storm.”
Brontë for babies? Board books, those small, sturdy volumes with the glossy cardboard “pages” – generally featuring rounded corners so babies who are teething don’t cut their gums or poke out their eyes, are getting ludicrous. A new series, we’re told on the back covers, “is a fashionable way to introduce your child to the world of classic literature.”
“In no particular order, except one of hallelujah, here’s a necessarily partial list of some other living Korean American writers whose work or person, or both, I’ve had the great good luck of encountering”….you’ll have to read the interview for the lengthy list as well as the thoughts of four Korean American writers who gathered at the behest of R.O. Kwon to discuss the influence and impact of Alexander Chee. It’s full of beautiful insights from Kwon, Nicole Chung, Alice Sola Kim, and Matthew Salesses such as “Alex said he ‘wanted to plant that flag in the culture,’ and until he said that I don’t know if I’d thought about it as a reason to write. The need to exist in the canon, in the literary world. I found that very powerful, and very brave”. Chee’s newest book is an essay collection, How to Write An Autobiographical Novel, that we eagerly anticipated last month.